The Digital Ark: Early Modern Collections of Curiosities in England and Scotland, 1580-1700

[ Previous ][ Next ]

John Tradescant, the Younger (4 Aug 1608 [bap.] - 22 Apr 1662)

In his list and notes on early modern collectors, Emanuel Mendes da Costa notes with surprise that Charles de l'Écluse in his Exoticorum libri decem mentions Sir Francis Drake as a collector and "curious person", but not Raleigh, Bacon, or the Tradescants. For his own part, da Costa provides this citation: "John Tradescant; for an account of him, his tomb, &c. &c. see Philosophical Transactions, vol. LXIII. pp. 1. 79, art. 12, by Dr. Andrew Ducarel" (205). Dictionary of National Biography entry: http://www.oxforddnb.com/view/article/27655?docPos=2 Other biography: http://en.wikipedia.org/wiki/John_Tradescant_the_Younger Botanist
Collector (major)
Relevant locations: Housed collection or remnant at Tradescant's garden, The Ark
Housed collection or remnant at South Lambeth Road, Lambeth
Lived at or near South Lambeth Road, Lambeth
Place of display (non-collection) at The Ark, South Lambeth Road
Relationships: John Tradescant, the Younger was a associate or acquaintance (general) of William Courten (-1655)
John Tradescant, the Younger was a husband of Hester Tradescant (-1678)
John Tradescant, the Younger was a member of Tradescanti (-)

Elias Ashmole (1617-1692) was a visitor to the collection of John Tradescant, the Younger
Mary Ashmole (1597-1668) was a visitor to the collection of John Tradescant, the Younger
Mark Cottle (-1682) was a friend of John Tradescant, the Younger
William Courten (28 Mar 1642-26 Mar 1702) was a unspecified to John Tradescant, the Younger
Emmanuel de Critz (25 Sep 1608-2 Nov 1665) was a employed by John Tradescant, the Younger
Thomas de Critz (1 Jul 1607-22 Oct 1653) was a employed by John Tradescant, the Younger
Roger Friend (-) was a donor to John Tradescant, the Younger
Thomas Herbert (1606-1682) was a associate or acquaintance (general) of John Tradescant, the Younger
Wenceslaus Hollar (13 Jul 1607- 25 Mar 1677) was a friend of John Tradescant, the Younger
Ralph Johnson (1629-1695) was a associate or acquaintance (general) of John Tradescant, the Younger
William Laud (1573-1645) was a neighbour of John Tradescant, the Younger
Alexander Marshal (1620-7?-1682) was a great-uncle of John Tradescant, the Younger
Alexander Marshal (1620-7?-1682) was a source of object(s) for John Tradescant, the Younger
Georg Christoph Stirn (1616-1669) was a visitor to the collection of John Tradescant, the Younger
Walter Stonehouse (c. 1597-17 Jul 1655) was a friend of John Tradescant, the Younger
John (grandson) Tradescant (1633-1652) was a son of John Tradescant, the Younger
John, the Elder Tradescant (c.1570s-c.15 Apr 1638) was a father of John Tradescant, the Younger
Thomas Wharton (1614-1673) was a friend of John Tradescant, the Younger
Thomas Wharton (1614-1673) was a visitor to the collection of John Tradescant, the Younger
John Wieldes (-) was a source of object(s) for John Tradescant, the Younger
Linked manuscripts: as Subject of/in a work of art - PL 2972 / 226, Magdalene College (Cambridge),
Linked manuscript items: as Collector (major) - "Itinerarium Mundii [The travel journal of Peter Mundy]," Bodleian Library Rawlinson A 315, Oxford University
as Collector (minor) - "[A note by Anthony Wood about Tradescant]," Bodleian Library Wood E 32, Oxford University
as Collector (minor) - "[Confession of Hester Tradescant]," Bodleian Library Rawlinson D 912, Oxford University
as Collector (minor) - "The Book of the Dean of Christ Church (1684-90)," Ashmolean Library AMS 8 (The Book of the Dean of Christ Church), Ashmolean Museum
as Collector (minor) - "[The Vice-Chancellor's Consolidated Catalogue 1695]," Ashmolean Museum [The Vice-Chancellor's Consolidated Catalogue], Oxford
as Subject of/in a work of art - "[A note by Anthony Wood about Tradescant]," Bodleian Library Wood E 32, Oxford University
as Visited - "[Stirn, Travel Diary]," British Library Additional MS B 67, London
Linked print sources: as Author (in assoc. with a ms or print source) - Musæum Tradescantianum: or, A collection of rarities preserved at South-Lambeth neer London, by John Tradescant.
as Author (in assoc. with a ms or print source) - Musaeum Tradescantianum; or, a collection of rarities preserved at South-Lambeth neer London.
as Collector (major) - [Appendix to a review of K. H. Schaible, Geschichte der Deutschen in England. Strassburg: Trübner, 1885].
as Collector (major) - Musaeum Tradescantianum; or, a collection of rarities preserved at South-Lambeth neer London.
as Collector (minor) - A Catalogue of the Ashmolean Museum, descriptive of the Zoological Specimens, Antiquities, Coins, and Miscellaneous Curiosities.
as Collector (minor) - Early Science in Oxford. Vol. 3.
as Collector (minor) - Geschichte der Deutschen in England von den ersten germanischen ansiedlungen in Britannien bis zum ende des 18. jahrhunderts..
as Collector (minor) - Herrick, Hollar, and the Tradescants: Piecing Together a Seventeenth-Century Triptych .
as Collector (minor) - The Tradescant Ark.
as Collector (minor) - William Camden and Early Collections of Roman Antiquities in Britain.
as Mentioned or referenced by - A new discovery of the old art of teaching schoole.
as Mentioned or referenced by - Notices and Anecdotes of Literati, Collectors, &c. from a MS. by the late Mendes De Costa, and Collected Between 1747 and 1788.
as Mentioned or referenced by - The savage and modern self: North American Indians in eighteenth-century British literature and culture.
as Mentions or references - 'The Exactness and Nicety of Those Things': Sir John Reresby's Garden Notebook and Garden (1633-44) at Thrybergh, Yorkshire.
as Subject of/in a document - Consuming Splendor: Society and Culture in Seventeenth-Century England.
as Subject of/in a document - Curiosities and Texts: The Culture of Collecting in Early Modern England.
as Subject of/in a document - Musæum Tradescantianum: or, A collection of rarities preserved at South-Lambeth neer London, by John Tradescant.
as Subject of/in a document - The John Tradescants: Gardeners to the Rose and Lily Queen .
as Subject of/in a work of art - An Outline of the History of the de Critz Family of Painters.
as Subject of/in a work of art - The Oxford cabinet, consisting of engravings from original pictures, in the Ashmolean Museum, and other public and private collections; with biographical anecdotes, by John Aubrey, F.R.S. and other celebrated writers.
Linked images:







References in Documents:
MS Book of the Regius Professor of Medicine (MacGregor, ed.) 9 Cornu cujusdam animalis frustulũ. Johanni Tradescantio donabat qidam D.r Borle. A small portion of the horn of some exotic animal. A certain Dr Borle gave it to John Tradescant.
MS Book of the dean of Christ Church (MacGregor, ed.) 663 Picturæ DnĩJōhĩs Tradescanti junioris et uxoris suæ, limbo aureo munitæ. 102 Picture of John Tradescant the Younger and his wife, in a golden frame. MacGregor 1983, no. 262.
MS Book of the dean of Christ Church (MacGregor, ed.) 667 Pictura Johannis Tradescanti junioris cũamico suo ... Friend Zythepsâ Lambetha = no. 53 Picture of John Tradescant the younger with his friend [Roger] Friend, brewer of Lambeth. MacGregor 1983, no. 265.
MS Book of the dean of Christ Church (MacGregor, ed.) 671 Pictura Uxoris Johannis Tradescant cum filio filiâque astantibus, omnes intra marginem bullis aureisornatam. 52 Picture of the wife of John Tradescant with her son and daughter standing by, all within a frame ornamented with gold bosses. MacGregor 1983, no. 269.
MS Book of the dean of Christ Church (MacGregor, ed.) 684 Pictura Johannis Tradescanti junioris Cimeliarchæ item celeberrimi, Botanici habitu intra marginem bullis aureis ornatam. 105 Picture of John Tradescant the younger, also a celebrated collector, dressed as a gardener, in a frame ornamented with golden bosses. MacGregor 1983, no. 274.
MS Book of the dean of Christ Church (MacGregor, ed.) 695 Johannis Tradescanti Epitaphium, literis eleganter ligatis, lineisque undantibus, adornatũ. Epitaph of John Tradescant, adorned with elegantly joined letters and wavy lines.
MS Book of the dean of Christ Church (MacGregor, ed.) 707 Pictura Conjugis Johĩs Tradescanti cũfiliolo suo. 99 Picture of the wife of John Tradescant, with his little son. MacGregor 1983, no. 280.
MS Book of the dean of Christ Church (MacGregor, ed.) 723 Insignia Johannis Tradescanti cum margine bullis aureis insignitâ. 153 Arms of John Tradescant, in a frame decorated with golden bosses. MacGregor 1983, no. 296.
MS Book of the dean of Christ Church (MacGregor, ed.) 179 Joh: Tradescantus Filius &c.a John Tradescant the son, etc.
A Brief Narrative of a Strange and Wonderful Old Woman that hath a Pair of Horns (1676) The third time grew two Horns, both which were beat off by a Fall backward; one of them an English Lord obtained, and (as is reported) presented it to the French King for the greatest Rarity in Nature, and received with no less Admiration: The other (which was the largest) was Nine Inches long, and two Inches about; it is much valued for the Novelty, a greater than any Iohn Tradeskin can set to view, or the greatest Traveller can with truth affirm to have seen. Sir Willoughby Aston hath also another Horne which dropt from this Womans Head, and reserves it as a Choice Rarity.
[Travel Diary of Georg Christoph Stirn of Nuremberg, includes description of the Tradescant collection, as well as those in the tower and at Oxford] [*]John Tradescant, one of the earliest naturalists of Great Britain, died 1638; his son John Tradescant published in 1656 Musaeum Tradescantianum or a Collection of Rarities preserved at South-Lambeth neer London.
[Travel Diary of Georg Christoph Stirn of Nuremberg, includes description of the Tradescant collection, as well as those in the tower and at Oxford] [*]Mus. Trad. p. 41: 'A Booke of Mr. Tradescant's choicest Flowers and Plants, exquisitely limned in vellum, by Mr. Alex. Marshall.'
[Travel Diary of Georg Christoph Stirn of Nuremberg, includes description of the Tradescant collection, as well as those in the tower and at Oxford] [*]P. B. Duncan, Introd. to the Catalogue of the Ashmolean Museum p. 4, mentions as deserving especial notice 'the beak of the helmet hornbill, from the East Indies, which has been but lately imported in the entire state, having been long suspected to have been a foolish imposition contrived to deceive Tradescant.' The younger Tradescant bequeathed the Museum in 1662 to Ashmole who presented it to the University of Oxford.
Musaeum Tradescantianum (1656) John Tradescant, the Younger Musæum Tradescantianum: Or, a Collection of Rarities. Preserved at <name type="place" ref="1418">South-lambeth</name> Neer London by John Tradescant London Printed by John Grismond, and are to be sold by Nathanael Brooke at the Angel in Cornhill 1656
Musaeum Tradescantianum (1656)
Musæum Tradescantianum: Or, A Collection Of Rarities. Preserved At South-Lambeth neer London By John Tradescant. LONDON, Printed by John Grismond, and are to be sold by Nathanael Brooke at the Angel in Cornhill, M. DC . LVI.
Musaeum Tradescantianum (1656)
Anagr: Joannes Tradescantus. Arte notus, annis cedas. Natura, instans es: cedo. Natura. ------ Senex. Dialogus. Nat. Utrique NOTUS ARTE jam satis polo; Utriusque deliciis satur; Favore maximi beatus Principis; Amore cultus omnium: Quid quæris ultra, terra quad donet, Senex. Famam quod ornet insuper? CEDAS, molesti ne sient, ANNIS libens; Linquasq linquentem domum. Sen. NATURA, ES INSTANS: CEDO. Nec verti potest Stator supremi Numinis; Sed nec timeri debet, immensis beans Brevem dolorem gandiis.
Musaeum Tradescantianum (1656)
On John Tradescante the elder, deceased. Anagr: John Tradescante. Had inocent Artes. Can honest Art die? Artes cannot die. Nor court, nor shop-crafts were thine ARTES, but those Which Adam studied ere he did transgresse: The Wonders of the Creatures, and to dresse The worlds great Garden. Sure the Sun ne're rose Nor couch'd, but blush'd to see thy roofe enclose More dainties than his orb. CAN Death oppress Such HONEST ART as this, or make it less? No: Fame shall still record it, and expose Industrious care to all eternity. The body may, and must: ARTES CANNOT DIE.
Musaeum Tradescantianum (1656)
[Portrait of John Tradescant, the younger]
Iohannes Tradescantus Filius, genij ingenijque paterni verus heres, relictum sibi rerum vndique congestarum thesanrum, ipse plurimum adauxit et in Museo Lambethiano amicis visendum exhibet. W. Hollar ad vivum delin: et sculp:
Musaeum Tradescantianum (1656)
[Portrait of John Tradescant, the younger]
Musaeum Tradescantianum (1656)
To John Tradescant the younger, surviving. Anagr: John Tradescant. Cannot hide Arts. Heire of thy Fathers goods, and his good parts, Which both preservest, & augment'st his store, Tracing th' ingenuous steps he trod before: Proceed as thou begin'st, and win those hearts, With gentle curt'sie, which admir'd his Arts. Whilst thou conceal'st thine own, & do'st deplore Thy want, compar'd with his, thou shew'st them more. Modesty clouds not worth; but hate diverts, And shames base envy, ARTS he CANNOT HIDE That has them. Light through every chink is spy'd. Nugas has ego, pessimus Poëta, Plantarum tamen, optimi que amici Nusquam pessimus æstimater, egi. Gualterus Stonehousus Theologus servus natus.
Musaeum Tradescantianum (1656)
To the Ingenious READER

For some reasons I apprehend my self engaged to give an account of two things, that refer to the ensuing piece: The one, for not publishing this Catalogue untill now: The other, of the mode & manner thereof, being partly Latine, and partly English.

About three yeares a goe, To the ingenious Reader. goe, (by the perswasion of some friends ) I was resolved to take a Catalogue of those Rarities and Curiosities which my Father had scedulously collected, and my selfe with continued diligence have augmented, & hitherto preserved together: They then pressed me with that Argument, That the enumeration of these Rarities, (being more for variety than any one place known in Europe could afford) would be an To the ingenious Reader. an honour to our Nation, and a benefit to such ingenious persons as would become further enquirers into the various modes of Natures admirable workes, and the curious Imitators thereof: I readily yeilded to the thing so urged, and with the assistance of two worthy friends (well acquainted with my design,) we then began it, and many examinations of the materialls themselves, & their agreements with severall Au athors To the ingenious Reader. thors compared, a Draughtwas made, which they gave into my hands to examine over. Presently thereupon my onely Sonne dyed, one of my Friends fell very sick for about a yeare, and my other Friend by unhappy Law-suits much disturbed. Upon these accidents that first Draught lay neglected in my hands another year. Afterwards my said Friends call again upon me, and the designe of Printing, a-new contri ved To the ingenious Reader. ved, onely the prefixed Pictures were not ready, and I found my kinde friend Mr Hollar then engaged for about tenne Moneths, for whose hand to finish the Plates, I was necessarily constrained to stay untill this time.

Now for the materialls themselves I reduce them unto two sorts; one Naturall, of which some are more familiarly known & named amongst us, as divers sorts of Birds, foure­ a2footed To the ingenious Reader. footed Beasts and Fishes, to whom I have given usual English names. Others are lesse familiar, and as yet unfitted with apt English termes, as the shellCreatures, Insects, Mineralls, Outlandish-Fruits, and the like, which are part of the Materia Medica; (Encroachers upon that faculty, may try how they can crack such shels.) The other sort is Artificialls, as Vtensills, Householdstuffe, Habits, Instru ments To the ingenious Reader. ments of Warre used by severall Nations, rare curiosities of Art, &c. These are also expressed in English, (saving the Coynes, which would vary but little if Translated) for the ready satisfying whomsoever may desire a view thereof. The Catalogue of my Garden I have also added in the Conclusion (and given the names of the Plants both in Latine and English ) that nothing may be wanting which at a3pre- To the ingenious Reader. sentpresent comes within view, and might bee expected from

Your ready friend JOHN TRADESCANT.
Musaeum Tradescantianum (1656) A Booke of Mr. TRADESCANT'S choicest Flowers and Plants, exquisitely limned in vellum, by Mr. Alex: Marshall.
Peter Mundy's description of the Tradescants' Ark in his travel diary (1634) [3] John Tradescant the elder, traveller, naturalist and gardener, who dyied in 1637 or 1638. His son, John Tradescant the younger, was probably abroad at this time, as he is known to have been in Virginia in 1637 collecting flowers, shells, etc. For an account of both father and son, see the articles in the Dict. Nat. Biog.
Peter Mundy's description of the Tradescants' Ark in his travel diary (1634) [4] In a catalogue of the Tradescant collection, published in 1656, these objects are thus described: "Mechanick artificiall Works in Carvings . . . A Cherry-stone, upon on side S. George and the Dragon, perfectly cut: and on the other side 88 Emperours faces . . . Variety of Rarities. Severall sorts of Magnifying glasses: Triangular, Prismes, Cynlinders." Under "Medalls" are enumerated Gold (5), Silver (55), Copper and Lead (52). Musæum Tradescantium; or A Collection of Rarities Preserved at South Lambeth neer London. By J. T. [John Tradescant junior], London, 1656. It is doubtful whether the carved cherry-stone seen by Mundy at Lambeth was sent to Oxford with the rest of the "rarities" handed over to Elias Ashmole by Tradescant’s widow. It is not in existence now, but among the Tradescant specimens at the Ashmolean Museum are six plum or "apricock" stones carved in the same manner with minute figures. A drawing of the cherry-stone is, however, preserved. Mr D. G. Hogarth, Keeper of the Ashmolean Museum, to whom I am indebted for the above information, tells me that under a pencil drawing of the stone in an Ashmole MS at the Bodleian Library (1131-183) is a note in 17th century handwriting (? Ashmole’s) as follows: "The draught of a cherry-stone whereon St George on ye one side and divers heads on the other by Capt. Burgh and given by him to Mr John Tradescant who preserved it amongst the rarities." The drawing shows the two faces of the stone enlarged some 3 diameters, with a sketch of the stone natural size beside. About 80 heads are arranged concentrically on one side. Mr Hogarth is of opinion that the note under the drawing leaves the question open as to whether the stone itself was ever in Tradescant’s hands or only Captain Burgh’s drawing of it. But, judging from Mundy's usual accuracy of statement, I feel convinced that the cherry-stone was among the "rarities" that he actually saw. The particular magnifying glass described by Mundy cannot be traced in the Ashmolean Museum.
Peter Mundy's description of the Tradescants' Ark in his travel diary (1634) In a catalogue of the Tradescant collection, published in 1656, these objects are thus described: "Mechanick artificiall Works in Carvings . . . A Cherry-stone, upon on side S. George and the Dragon, perfectly cut: and on the other side 88 Emperours faces . . . Variety of Rarities. Severall sorts of Magnifying glasses: Triangular, Prismes, Cynlinders." Under "Medalls" are enumerated Gold (5), Silver (55), Copper and Lead (52). Musæum Tradescantium; or A Collection of Rarities Preserved at South Lambeth neer London. By J. T. [John Tradescant junior], London, 1656. It is doubtful whether the carved cherry-stone seen by Mundy at Lambeth was sent to Oxford with the rest of the "rarities" handed over to Elias Ashmole by Tradescant’s widow. It is not in existence now, but among the Tradescant specimens at the Ashmolean Museum are six plum or "apricock" stones carved in the same manner with minute figures. A drawing of the cherry-stone is, however, preserved. Mr D. G. Hogarth, Keeper of the Ashmolean Museum, to whom I am indebted for the above information, tells me that under a pencil drawing of the stone in an Ashmole MS at the Bodleian Library (1131-183) is a note in 17th century handwriting (? Ashmole’s) as follows: "The draught of a cherry-stone whereon St George on ye one side and divers heads on the other by Capt. Burgh and given by him to Mr John Tradescant who preserved it amongst the rarities." The drawing shows the two faces of the stone enlarged some 3 diameters, with a sketch of the stone natural size beside. About 80 heads are arranged concentrically on one side. Mr Hogarth is of opinion that the note under the drawing leaves the question open as to whether the stone itself was ever in Tradescant’s hands or only Captain Burgh’s drawing of it. But, judging from Mundy's usual accuracy of statement, I feel convinced that the cherry-stone was among the "rarities" that he actually saw. The particular magnifying glass described by Mundy cannot be traced in the Ashmolean Museum.
Peter Mundy's description of the Tradescants' Ark in his travel diary (1634) [6] Among the "Principall Benefactors" to the Tradescant collection are the names of William "Curteene" Esqr., Captain Weddell and Captain Swanley. Musæum Tradescantianum, by J. T.
Excerpts from Ornithology (1876) related to Sir Thomas Browne's and the Tradescants' collections We have seen this Bird dried, or its skin stuft in Tradescants Cabinet.
Excerpts from Ornithology (1876) related to Sir Thomas Browne's and the Tradescants' collections

WEWe saw this Bird dried in Tradescants Cabinet. It is of the bigness of a com­mon Lark, hath a streight sharp Bill, a long Tail: And is all over of a blue colour. Upon second thoughts, however Tradescant might put the Epithete of Indi­an upon this bird, I judge it to be no other than the Caeruleus or Blue Ouzel of Bellonius, described in the precedent Article.

Excerpts from Ornithology (1876) related to Sir Thomas Browne's and the Tradescants' collections WEWe saw this Bird dried in Tradescants Cabinet. It is of the bigness of a com­mon Lark, hath a streight sharp Bill, a long Tail: And is all over of a blue colour. Upon second thoughts, however Tradescant might put the Epithete of Indi­an upon this bird, I judge it to be no other than the Caeruleus or Blue Ouzel of Bellonius, described in the precedent Article.
Excerpts from Ornithology (1876) related to Sir Thomas Browne's and the Tradescants' collections We have seen in Tradescants Cabinet a red Indian bird dried, of the bigness almost of a Mavis, having a long Tail, which perchance is the same with the bird in this Ar­ticle described.
Excerpts from Ornithology (1876) related to Sir Thomas Browne's and the Tradescants' collections WE saw the Case of this bird in Tradescants Cabinet. It was of the bigness and shape of a Blackbird, as far as I could judge by the dried skin. The colour of the whole upper side was black; only the edges of the feathers about the Rump were ash-coloured. The Breast was of a scarlet colour: The Bill like a Blackbirds: The Tail also long, and like a Blackbirds.
Excerpts from Ornithology (1876) related to Sir Thomas Browne's and the Tradescants' collections I saw and described it dried in the Repository of the Royal Society. I saw it also in Tradescants Cabinet at Lambeth near London.
Excerpts from Ornithology (1876) related to Sir Thomas Browne's and the Tradescants' collections Those which I saw dried in the Repository of the Royal Society, and in Tradescants Cabinet, seemed to me somewhat bigger.