Lanyer, Aemilia. Salve Deus Rex Judæorum. Containing, 1 The Passion of Christ. 2 Eues Apologie
        in defence of Women. 3 The Teares of the Daughters of Ierusalem. 4 The Salutation and
        Sorrow of the Virgine Marie. With diuers other things not vnfit to be read Written by Mistris
        Aemilia Lanyer, Wife to Captaine Alfonso Lanyer Seruant to the Kings Majestie. [First
        printing, with four-line publisher's imprint: "AT LONDON / Printed by Valentine Simmes for
        Richard Bonian,and / are to be sold at his Shop in Paules Church- / yard. Anno 1611."]

---. Salve Deus Rex Judaeorum. Written by Mistris Aemilia Lanyer . . . . [Second printing, with
        five-line imprint: "AT LONDON / Printed by Valentine Simmes for Richard Bonian, and are
        / to be sold at his Shop in Paules Churchyard, at the / Signe of the Floure de Luce and
        / Crowne. 1611."] [Short version of dedications: STC 15277; long version of dedications,
        STC 15277.5]

---. The Poems of Shakespeare's Dark Lady: Salve Deus Rex Judaeorum by Emilia Lanier. Ed A.
        L. Rowse. London: Cape, 1976; New York: Clarkson N. Potter, 1978.

---. The Poems of Aemilia Lanyer: Salve Deus Rex Judaeorum. Ed. Susanne Woods. New York:
        Oxford UP, 1993.

---. Renaissance Women: The Plays of Elizabeth Cary, The Poems of Aemilia Lanyer. Ed. Diane
        Purkiss. London: William Pickering, 1994.

Barnstone, Aliki. "Women and the Garden: Andrew Marvell, Emilia Lanier, and Emily Dickinson."
        Women and Literature 2 (1982): 147-67.

Beilin, Elaine V. Redeeming Eve: Women Writers of the English Renaissance. Princeton, NJ:
        Princeton UP, 1987.

Campbell, Gardner. "The Figure of Pilate's Wife in Aemilia Lanyer's Salve Deus Rex Judaeorum."
        Renaissance Papers (1995): 1-13.

Coiro, Ann Baynes. "Writing in Service: Sexual Politics and Class Position in the Poetry of Aemilia
        Lanyer." Criticism 35 (1993): 357-76.

Guibbory, Achsah. "The Gospel According to Aemilia: Women and the Sacred in Aemilia Lanyer's
        Salve Deus Rex Judaeorum." Sacred and Profane: Secular and Devotional Interplay in Early
        Modern British Literature. Ed. Helen, Wilcox, Richard Todd, and Alasdair MacDonald.
        Amsterdam: Vrije Universiteit UP, 1996. 105-26.

Hannay, Margaret Patterson. Silent But For the Word: Tudor Women as Patrons, Translators, and
        Writers of Religious Works. Kent, OH: Kent State UP, 1985.

Hutson, Lorna. "Why the Lady's Eyes Are Nothing Like the Sun." New Feminist Discourses: Critical
        Essays on Theories and Texts. Ed. Isobel Armstrong. London: Routledge, 1992. Rept. in
        Women, Texts and Histories 1575-1760. Ed. Clare Brant and Diane Purkiss. London:
        Routledge, 1992. 13-38.

Jones, Ann Rosalind. "Assimilation With a Difference: Renaissance Women Poets and Iterary
        Influence." Yale French Studies 62 (1981): 135-53.

---. The Currency of Eros: Women's Love Lyric 1520-1640. Bloomington: Indiana UP, 1991.

Krontiris, Tina. "Women of the Jacobean Court Defending Their Sex." Oppositional Voices: Women
        as Writers and Translators of Literature in the English Renaissance. London: Routledge, 1992.
        102-20.

Lasocki, David, and Roger Prior. The Bassanos: Venetian Musicians and Instrument Makers in
        England, 1531-1665. Aldershot, England: Scolar Press; Brookfield, VT: Ashgate, 1995.

Lewalski, Barbara Kiefer. "Of God and Good Women: The Poems of Aemilia Lanyer." Silent But
        For the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works. Ed.
        Margaret Patterson Hannay. Kent, OH: Kent StateUP, 1985. 203-24.

---. "The Lady of the Country House Poem." The Fashioning and Functioning of the British Country
        House. Ed.Gervase Jackson-Stops, Gordon J. Schochet, Lena Cowen Orlin, and Elisabeth
        Blair McDougall. Hanover: National Galleryof Art, 1989. 261-75.

---. "Rewriting Patriarchy and Patronage: Margaret Clifford, Anne Clifford, and Aemilia Lanyer."
        The Yearbook of English Studies 21 (1991): 87-106.

---. Writing Women in Jacobean England. Cambridge, MA: Cambridge UP, 1993.

McBride, Kari Boyd. Engendering Authority in Aemilia Lanyer's Salve Deus Rex Judaeorum.
        Dissertation. University of Arizona. 1994.

McGrath, Lynette. "'Let Us Have Our Libertie Againe': Amelia Lanier's 17th-Century Feminist
        Voice." Women's Studies 20 (1992): 331-48.

---. "Metaphoric Subversions: Feasts and Mirrors in Amelia Lanier's Salve Deus Rex Judaeorum."
        LIT 3 (1991): 101-13.

Mueller, Janel. "The Feminist Poetics of Aemilia Lanyer's 'Salve Deus Rex Judaeorum.'" Feminist
        Measures: Soundings in Poetry and Theory. Ed. Lynn Keller and Christianne Miller. Ann
        Arbor: U of Michigan P, 1994. 208-236

Parfitt, George. "Poetry By Women." English Poetry of the Seventeenth-Century. 2nd ed. London:
        Longman, 1992. Check whether this is text or criticism??

Prior, Roger. "More (Moor? Moro?): Light on the Dark Lady." Financial Times (London) 10 Oct
        1987.

Purkiss, Diane. "Introduction." Renaissance Women: The Plays of Elizabeth Cary, The Poems of
        Aemilia Lanyer. London: William Pickering, 1994. vii-xlvii.

Ramsey, Paul. The Fickle Glass: A Study of Shakespeare's Sonnets. New York: AMS P, 1979.

Rowse, A. L. "Revealed At Last, Shakespeare's Dark Lady." The Times 29 Jan 1973: 12. [See also
        ensuing correspondence 1 Feb: 17; 2 Feb: 15; 3 Feb: 15; 6 Feb: 15;14 Feb: 15; 15 Feb: 19;
        17 Feb: 15; 20 Feb: 15; 22 Feb: 17.]

---. "Shakespeare's Dark Lady." The Poems of Shakespeare's Dark Lady: Salve Deus Rex
        Judaeorum by Emilia Lanier. Ed. A. L. Rowse. London: Clarkson N. Potter, 1979.

---. Simon Forman: Sex and Society in Shakespeare's Age. London: Weidenfeld and Nicolson,
        1974. Also published as Sex and Society in Shakespeare's Age: Simon Forman the Astrologer.
        New York: Scribner, 1974.

Schoenbaum, Stanley. "Shakespeare, Dr Forman and Dr Rowse." Shakespeare and Others.
        London: Scholar P, 1985.

Schnell, Lisa. "'So Great a Diffrence Is There in Degree': Aemilia Lanyer and the Aims of Feminist
        Criticism." Modern-Language-Quarterly: A-Journal-of-Literary-History 51 (1996): 23-35.

Walker, Kim. Women Writers of the English Renaissance. New York: Twayne, 1996.

Wall, Wendy. The Imprint of Gender: Authorship and Publication in the English Renaissance. Ithaca:
        Cornell UP, 1993. 319-330.

---. "Our Bodies/Our Texts?: Renaissance Women and the Trials of Authorship." Anxious Power:
        Reading, Writing and Ambivalence in Narrative by Women. Ed. Carol J. Singley and Susan
        Elizabeth Sweeney. Albany: State U of New York P, 1993. 51-71.

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        Seventeenth-Century British Nondramatic Poets. 1st series. Ed. M. Thomas Hester.
        Detroit, MI: Bruccoli Clark Layman, 1992.

---. "Introduction." The Poems of Aemilia Lanyer: Salve Deus Rex Judaeorum. New York: Oxford
        UP, 1993. xv-xlii.

Wright, Louis B. "The Reading of Renaissance Englishwomen." Studies in Philology 28 (1931):
        139-57.

 E-mail Ron Cooley at cooleyr@duke.usask.ca
 University of Saskatchewan
 Department of English
 Revised June 9, 1998