List of Abbreviations
EB=Encyclopedia Britannica
ODNB=Oxford Dictionary of National Biography
OED=Oxford English Dictionary
Bibliography
Allen, Benjamin. The Natural History Of The Chalybeat And
Purging Waters of England. London: S. Smith and B. Walford,
1699. London: British Library, 198:06.
Anderson, Paul Bunyan. “The History and Authorship of Mrs.
Crackenthorpe’s “Female Tatler.” Modern Philology.
28.3 (1931): 354-60.
Armitage, David.“Foreigners and Englishmen:
The Controversy Over Immigration and Population, 1660-1760.” The
Journal of Interdisciplinary History, 27.4 (Spring 1997):
675.
Avery, Emmett L., ed. The London Stage 1660-1800: A Calendar
of Plays, Entertainments, & Afterpieces. Carbondale:
Southern Illinois UP, 1961.
Baker, David Erskine. “Baker, Mr. Thomas.” The
companion to the play-house: or, an historical account of all
the dramatic writers (and their works) that have appeared in
Great Britain and Ireland, from the commencement of our theatrical
exhibitions, down to the present year 1764. Composed in the form
of a dictionary, ... 2 Vols. London: T. Becket and P. A. Dehondt,
1764. London: British Library, 11795.t.30. 2: 8-9.
---. “Tunbridge Walks; or, The Yeoman of
Kent.” Biographia dramatica, or, a companion to the playhouse:
... By David Erskine Baker, Esq. A new edition: carefully
corrected; .. and continued from 1764 to 1782 2 Vols. London:
Rivingtons, 1782. London: British Library, 840.d.4-5. 2: 383.
“Baker, (Thomas).” Encyclopædia Britannica;
or, a dictionary of arts, sciences, &c. On a plan entirely
new: ... The second edition; greatly improved and enlarged. Illustrated
with above two hundred copperplates. ... 2 Vols. Edinburgh:
J. Balfour and Co., 1778-83. London: British Library, 737.h.1-10.
2: 961-962.
Baker, Thomas. An Act at Oxford. A Comedy. By the
Authour of The Yeoman of Kent. London:
Bernard Lintott, 1704. London: British Library, 81.c.12(3).
---. The Fine Lady’s Airs (1709). Augustan
Reprint Society. L.A.: William Andrews Clark Memorial Library.
25 (1950). Project Gutenberg. http://www.gutenberg.org/etext/14467.
7 July 2006.
---. Hampstead Heath. A Comedy. As it is Acted at
the Theatre-Royal in Drury-Lane by His Majesty’s Servants. London:
Bernard Lintott, 1706. London: British Library,
81.c.12(4).
---. The Humour of the Age. A Comedy. As it is Acted
at the Theatre-Royal in Drury-Lane by His Majesty’s
Servants. London: R. Wellington; B. Lintott; and A. Bettesworth,
1701. Cambridge, Mass.: Harvard University Houghton Library,
EC7.B1776.701h.
---. “Prologue. By the Author of Tunbridge-Walks.” The
busie body: a comedy. As it is acted at the Theatre-Royal in
Drury-Lane, by Her Majesty's servants. Written by Mrs. Susanna
Centlivre. Susanna Centlivre. The second edition. London:
Bernard Lintott, [1709]. L.A.: William Andrews
Clark Memorial Library, PR3339.C6B9.1709. 4.
---. Tunbridge-Walks, or The Yeoman of Kent. A Comedy.
As it is acted at the Theatre-Royal by Her Majesty’s Servants. London:
Bernard Lintott, 1703. London: British Library, 643.i.18(2).
Benedict, Barbara M. “Consumptive Communities: Commodifying
Nature in Spa Society.” Eighteenth Century: Theory and
Interpretation, 36 (1995): 203-219.
Bevis, Richard W. English Drama:
Restoration and Eighteenth Century 1660- 1789. London: Longman,
1988.
Black, Jeremy. “Enduring Rivalries: Britain and France.” Great
Power Rivalries. Ed. William R. Thompson. Columbia: U
of South Carolina Press, 1999.
---. European Warfare, 1660-1815. New Haven, Conn.: Yale
UP, 1994.
---. The Rise of the European Powers, 1679-1793. London:
Edward Arnold, 1990.
Borsay, Peter. The English Urban Renaissance: Culture and
Society in the Provincial Town, 1660-1770. Oxford: Clarendon
Press, 1989.
---. “Health and Leisure Resorts 1700-1840.” Cambridge
Urban History of Britain. Ed. Peter Clark. New York: Cambridge
UP, 2000. 2: 775-803.
---. The Image of Georgian Bath, 1700-2000: Towns, Heritage,
and History. Oxford: Oxford UP, 2000.
--- and Peter Gillespie, eds. Two Capitals: London and Dublin,
1500-1840. Oxford: Oxford UP, 2001.
Bradshaw, Brendan and Peter Roberts, eds. British Consciousness
and Identity: The Making of Britain, 1533-1707. Cambridge:
Cambridge UP, 1998.
Brinks, Ellen. Gothic
Masculinity: Effeminacy and the Supernatural in English and German
Romanticism. Lewisburg, Pennsylvania: Bucknell
UP, 2003.
Brown, Laura. English Dramatic Form 1660- 1760: An Essay in
Generic History. New Haven: Yale
UP, 1981.
Bruce, Donald. Topics of Restoration Comedy. New York:
St. Martin’s Press, 1974.
Burridge, Richard. “A Scourge for the Play-houses.” Antitheatrical
Tracts 1702-1704. Ed. Arthur Freeman. Boston: Garland
Publishing, Inc., 1974. 10-25.
Canfield, J. Douglas and Deborah C. Payne, eds. Cultural Readings of Restoration
and Eighteenth-Century English Theatre. Athens: U of
Georgia Press, 1995.
Canfield, J. Douglas. Tricksters and Estates: On the Ideology of Restoration
Comedy. Lexington: U of Kentucky Press, 1989.
Chalkin, C.W. Seventeenth-Century Kent:
A Social and Economic History.
London: Longman, 1965.
Chetwood, W. R. (William Rufus). “Mr. Thomas Baker.” The
British theatre. Containing the lives of the English dramatic
poets; with an account of all their plays. Together with the
lives of most of the principal actors, as well as poets. To which
is prefixed, a short view of the rise and progress of the English
stage. Dublin: Peter Wilson, 1750. London: British Library,
1795.cc.38(2). 144.
Child, Francis James, ed. The English and
Scottish Popular Ballads.
vol.1. New York: Dover, 1965.
Church, Richard. Kent. London: R. Hale, 1948.
Clark, Peter, ed. The Cambridge Urban History of Britain:
Volume II, 1540-1840. Cambridge: Cambridge UP, 2000.
Claydon, Tony and Ian McBride, eds. Protestantism and National
Identity: Britain and Ireland, c. 1650-c. 1850. Cambridge:
Cambridge UP, 1998.
Cohen, Michele. Fashioning Masculinity: National Identity
and Language in the
Eighteenth Century. London; New York: Routledge, 1996.
Corman, Brian. “Comedy.” The Cambridge Companion
to English Restoration Theatre. Cambridge: Cambridge UP, 2000. 52-69.
Corman, Brian. Genre
and Generic Change in English Comedy 1660- 1710. Toronto:
U of Toronto Press, 1993.
Darton, F. J. A Parcel of Kent. London: Nisbet, 1924.
Dawson, Mark S. Gentility and the Comic Theatre of Late Stuart
London. Cambridge: Cambridge UP, 2005.
Dixon, James. “Wooing Song
of a Yeoman of Kent’s Sonne.” Ballads
and Songs of the Peasantry of England. London: Charles Griffin,
1864[?]. 153-154.
Dobbs, Brian. Drury Lane: Three Centuries of the Theatre Royal 1663-1971.
London: Cassell, 1972.
Dunton, John. Bumography: Or, a Touch at the Lady’s
Tails, Being a Lampoon (Privately) Dispers’d at Tunbridge-Wells,
in the Year 1707. London: [unknown], 1707. London: British
Library, 164.l.36.
The
Female Tatler, 1709 and 1710 by Mrs Crackenthorpe, a Lady
that Knows everything. London: [unknown], 1709-1710. Oxford:
Bodleian Library, Hope 78.
Fiennes, Celia. The Journeys of Celia Fiennes.
Ed. Christopher Morris. London: Cresset, 1947.
Friedman-Romell, Beth H. “Breaking the Code: Toward a Reception
Theory of
Theatrical Cross-Dressing in Eighteenth Century London.” Theatre Journal 47
(1995): 459-479.
Fisk, Deborah Payne, Ed. The Cambridge Companion to English
Restoration Theatre. Cambridge:
Cambridge UP, 2000.
Fuchs, Jacob, trans. Horace’s Satires and Epistles.
New York: W. W. Norton, 1977.
Fujimura, Thomas H. The
Restoration Comedy of Wit. Princeton : Princeton UP,
1952.
Gardner, Kevin J. “Theatrum Belli: Late Restoration
Comedy and the Rise of the
Standing Army.” Theatre
Survey. 36.1 (1995): 37-52.
Gill, Pat. “Gender, Sexuality, and Marriage.” The
Cambridge Companion to English Restoration Theatre. Cambridge: Cambridge UP,
2000. 191-208.
Gill, Pat. Interpreting Ladies: Women, Wit and Morality in
the Restoration Comedy of Manners.
Athens: U of Georgia Press, 1994.
Goodman, Lizbeth and Jane de Gay eds. The Routledge Reader
in Gender and
Performance. London; New York: Routledge, 1998.
Gomez-Lara, Manuel J. “Discourses on Health and Leisure
and Modern Constructions of Holidays at the Restoration Spas.” Style:
Essays on Renaissance and Restoration Literature and Culture
in Memory of Harriett Hawkins. Ed. Allen Michie and Eric Buckley.
Newark: U of Delaware Press, 2005. 202-227.
Graham, Walter. “Thomas
Baker, Mrs. Manley and the ‘Female Tatler.’” Modern Philology. 34
(1937): 267-72.
Haggerty, George E. “Gay Fops / Straight Fops.” Men
in Love: Masculinity and Sexuality in the Eighteenth Century.
New York: Columbia UP, 1999. 44-80.
Harwood, John T. Critics, Values and Restoration Comedy.
Carbondale: Southern Illinois UP, 1982.
Hembry, Phyllis. The English Spa, 1560-1815: A Social History.
London: Athlone, 1990.
Heilbrun, Carolyn G. Writing a Woman’s Life. London:
Women’s Press, 1989.
Highfill, Phillip H. Jr., Kalman A. Burnim, and Edward A. Langhans. A
Biographical Dictionary
of Actors, Actresses, Musicians, Dancers, Managers, and Other
Stage Personnel
in London 1660- 1800. 16 vols. Carbondale: Southern Illinois
UP, 1993.
Hinnant, Charles H. “Pleasure and the Political Economy
of Consumption in Restoration Comedy.” Restoration.
19 (1995): 77-87.
Hitchcock, Tim and Michele Cohen, eds. English Masculinities,1660-1800.
London; New York: Addison Wesley Longman, 1999.
Horwitz, Henry. “The
East India Trade, the Politicians, and the Constitution: 1689-1702.” The
Journal of British Studies 17.2 (Spring, 1978): 1-18.
Howard, Jean E. “Crossdressing,
the Theatre, and Gender Struggle in Early Modern England.” Shakespeare
Quarterly 39/4 (Winter 1988):
418-440.
Hughes, Derek. English Drama 1660- 1700. Oxford: Clarendon
Press, 1996.
Jacob, Giles. “Mr. Baker.” The poetical register:
or, the lives and characters of the English dramatick poets.
With an account of their writings. 2 Vols. London, 1719-20.
London: British Library, 277.g.6,7. 1:8.
Jessup, Ronald Frederick. Southeast England. New York:
Praeger, 1970.
Kavenik, Frances M. British Drama 1660- 1779: A Critical History.
New York: Twayne Publishing
Co., 1995.
Ketchum, Michael G. “Setting and Self-Presentation in the
Restoration and Early Eighteenth
Century.” SEL. 23 (1983): 399-412.
Kietzman, Mary Jo. The Self-Fashioning of an Early Modern
Englishwoman: Mary Carleton's Lives. Aldershot: Ashgate,
2004.
King, Thomas A. The Gendering
of Men, 1600-1750: The English Phallus. Madison, Wisconsin:
U of Wisconsin Press, 2004.
Loftis, John. “The Social Milieu of Early-Eighteenth-Century
Comedy.” Modern Philology 53 (1955): 100-112.
Lambarde, William. A
Perambulation of Kent. Bath, England:
Adams & Dart, 1970.
Lowenthal, Cynthia. Performing
Identities on the Restoration Stage. Carbondale: Southern
Illinois UP, 2002.
Malcolm, Elizabeth. “The Rise of the Pub: A Study in the
Disciplining of Popular Culture.” Irish
Popular Culture 1650- 1850. Ed. James Donnelly and Kerby Miller. Dublin:
Irish Academic Press, 1998.
Mangan, Michael. Staging
Masculinities: History, Gender, Performance. New York: Palgrave
Macmillan, 2003.
Maxwell, Donald. Unknown Kent: A Series of Unmethodical Explorations
of the County Illustrated in Line and Colour by the Author. London:
John Lane, 1921.
McKellar, Elizabeth. “Peripheral Visions: Alternative Aspects
and Rural Presences in Mid-Eighteenth-Century London.” Art
History 22 (1999): 495-513.
McIntyre, Sylvia. “Bath: the rise of a resort town, 1660-1800.” Country
Towns in Pre-Industrial England. Ed. Peter Clark. New York:
St. Martin’s Press, 1981. 198-249.
McLean, Gerald, Ed. Culture and Society in the Stuart Restoration.
Cambridge: Cambridge UP, 1995.
Melville, Lewis. Society at Royal Tunbridge Wells in the Eighteenth
Century—and After. London: Eveleigh Nash, 1912.
Milhous, Judith, and Robert D. Hume. Producible Interpretation:
Eight English Plays 1675- 1707. Carbondale:
Southern Illinois UP, 1985.
Milhous, Judith, and Robert D. Hume, eds. A Register of English
Theatrical Documents 1660 – 1737. 2 vols.
Carbondale: Southern Illinois UP, 1992.
Morgan, Fidelis. “Introduction.” The Female
Tatler. Ed. Fidelis Morgan. London: Dent, 1992. vii-xi.
M/s 39B101, Dr Williams’s Library. Dr. Williams’s Centre
for Dissenting Studies, U of London.
Munns, Jessica. “Change,
skepticism, and uncertainty.” The Cambridge Companion
to English Restoration Theatre. Cambridge: Cambridge UP, 2000.
142-157.
Munns, Jessica and Penny Richards, eds. The Clothes That Wear
Us: Essays on Dressing and Transgressing in Eighteenth-Century
Culture. Newark: U of Delaware Press, 1999.
Murphy, Anne L. “Lotteries in the 1690s: investment or gamble?” Financial
History Review 12 (2005): 227-246.
Neill, Michael. “Heroic Heads and Humble Tails: Sex, Politics,
and the Restoration Comic Rake.” The Eighteenth Century. 24
(1983): 115-139.
Newman, John. North East and East Kent. Hammondsworth,
Middlesex: Penguin, 1969.
Newman, John. West Kent and the Weald. Hammondsworth,
Middlesex: Penguin, 1969.
Nicholls,
William. God’s blessing on the use of mineral
waters. A sermon preach’d at the chapel of Tunbridge-Wells,
Septem. 6. 1702. London: Thomas Bennet, 1702. London: British
Library, 226.g.17(15).
Oulton, Walley Chamberlain. The history of the theatres of
London: containing an annual register of all the new and revived
tragedies, comedies, operas, farces, pantomimes, &c. that
have been performed at the Theatres-Royal, in London, from the
year 1771 to 1795. With occasional notes and anecdotes. In two
volumes. ... London: Martin and Bain, 1796. London: British
Library, 641.f.29. 2:45.
Owen, Susan J. Perspectives on Restoration Drama. Manchester:
Manchester UP, 2002.
Page, William. The Victoria History of the County of Kent.
London: A. Constable and Company, 1908.
Perkinson, Richard H. “Topographical Comedy in the
Seventeeth Century.” ELH 3 (1936): 270-290.
Pittock, Murray. Inventing and Resisting Britain: Cultural
Identities in Britain and Ireland, 1685-1789. New York:
St. Martin’s Press, 1997.
Powell, Jocelyn. Restoration
Theatre Production. London:
Routledge & Kegan Paul Press, 1984.
Sandys, Charles. Consuetudines Kanciae: A History of Gavelkind
and Other Remarkable Customs in the County of Kent. Littleton,
Colo.: F. B. Rothman, 1981.
Savidge, Alan. Royal Tunbridge Wells. Tunbridge Wells:
Midas Books, 1975.
Schnieder, Ben Ross Jr. The Ethos of Restoration Comedy.
Urbana: U of Illinois Press, 1971.
Senelick, Laurence. The Changing Room: Sex, Drag and Theatre.
London; New York: Routledge, 2000.
Shoemaker, Robert B. “Public Spaces, Private Disputes?:
Fights and Insults on London’s Streets, 1660-1800.” The
Streets of London from the Great Fire to the Great Stink.
Ed. Tim Hitchcock and Heather Shore. London: Rivers Oram Press,
2003. 54-68.
Smith, John Harrington. The Gay Couple in Restoration Comedy.
New York: Octagon Books, 1971.
Smith, John Harrington. Introduction. “The Fine Lady’s
Airs (1709).” Augustan Reprint Society. L.A.: William
Andrews Clark Memorial Library. 25 (1950). http://www.gutenberg.org/text/14467.
7 July 2006.
Smith, John Harrington. “Thomas Baker and ‘The Female
Tatler.’” Modern Philology. 49.3 (1952): 182-8.
Solomon, Alisa. Re-dressing the Canon: Essays on Theatre and
Gender. New
York: Routledge, 1998.
Statt, Daniel. Foreigners and Englishmen: The Controversy
over Immigration and Population, 1660-1760. Newark: U
of Delaware Press, 1995.
Staves, Susan. “A Few Kind Words for the Fop.” SEL. 22
(1982): 413- 428.
Styan, J.L. Restoration Comedy in Performance. Cambridge:
Cambridge UP, 1986.
Taylor, Kristina. “The Oldest Surviving Pleasure Garden
in Britain: Cold Bath, near Tunbridge Wells in Kent.” Garden
History 28.2 (Winter, 2000): 277-282.
“Thomas Baker.” Wikipedia. http://en.wikipedia.org.
6 July 2006.
Trumbach, Randolph. “The birth of the queen: sodomy and
the emergence of gender equality in modern culture, 1660-1750.” Gender
and History in Western Europe. Eds. Robert Shoemaker and Mary
Vincent. London: Arnold, 1998. 161-173.
Tseelon, Efrat, ed. Masquerade and Identities: Essays on Gender,
Sexuality, and
Marginality. New York: Routledge, 2001.
The Victoria History of the County of Bedford. 4 vols.
London: Dawsons of Pall Mall, 1972.
Waller, Maureen. 1700: Scenes from London Life. London:
Hodder and Stoughton, 2000.
Weber, Harold. The Restoration Rake Hero: Transformations
in Sexual Understanding in Seventeenth Century England.
Madison: U of Wisconsin Press, 1986.
Wells, John and Douglas Wills. “Revolution, Restoration,
and Debt Repudiation: The Jacobite Threat to England's Institutions
and Economic Growth.” The Journal of Economic History 60.2
(June, 2000): 418-441.
Wharman, Dror. “Percy’s Prologue: From Gender Play
to Gender Panic in Eighteenth-Century England.” Past
and Present 159 (May 1998): 113-160.
Wheatley, Christopher. “Romantic Love and Social Necessities:
Reconsidering Justifications
for Marriage in Restoration Comedy.” Restoration 14 (1990):
58-70.
Whincop, Thomas. “Mr. Thomas Baker.” Scanderbeg:
or, love and liberty. A tragedy. Written by the late Thomas Whincop,
Esq. To which are added A list of all the dramatic authors, with
some account of their lives; and of all the dramatic pieces ever
published in the English language, to the year 1747. London:
W. Reeve, 1747. London: British Library, C.45.d.12. 166-167.
Williams, Andrew P. “Soft Women and Softer Men: The Libertine
Maintenance of
Masculine Identity.” The Image of Manhood in Early Modern
Literature: Viewing the Male. Ed. Andrew P. Williams. Westport,
Connecticut: Greenwood Press, 1999. 95-118.
Williams, Andrew. “The Centre of Attention: Theatricality
and the Restoration Fop.” Early Modern Literary Studies: A Journal of Sixteenth- and
Seventeenth- Century English Literature 4.3 (January, 1999):
5.1-22.
Wilkinson, Tate. The wandering patentee; or, a history of
the Yorkshire theatres, from 1770 to the present time: interspersed
with anecdotes respecting most of the performers ... from 1765
to 1795. By Tate Wilkinson. In four volumes. ... York: Wilson,
Spence, and Mawman, 1795. London: British Library, 641.b.12-15.
3:125.
Woolridge, Sidney William. The Weald. London: Collins,
1966.
Wordsworth, William. “On the Men of Kent: October, 1803.” The
Complete Poetical Works. London: Macmillan and Co., 1888;
Bartleby.com, 1999. www.bartleby.com/145/.
17 June 2006.
Yadav, Alok. Before the Empire of English: Literature, Provinciality,
and Nationalism in Eighteenth-Century Britain. New York:
Palgrave Macmillan, 2004.
Zimbardo, Rose A. A Mirror to Nature: Transformations
in Drama and Aesthetics 1660-1732. Lexington:
U of Kentucky Press, 1986.
|