"Johann Remmelin's Catoptrum Microcosmicum." Hardin Library. Accessed March 18, 2011. http://sdrc.lib.uiowa.edu/exhibits/imaging/remmelin/about.htm.
Mother Shipton London: Strutt, Burns, and Newbery, 1800.
"Moveable Book." Bloomsbury Auctions. Accessed April 7, 2011. http://ny.bloomsburyauctions.com/detail/NY005/194.0.
Paper Engineering: Fold, Pull, Pop & Turn. Washington, DC: The Smithsonian Libraries Exhibition Gallery, National Museum of American History, 2010. http://www.sil.si.edu/pdf/FPPT_brochure.pdf.
Agata, Mari. "Improvements, Corrections, and Changes in the Gutenberg Bible." Scribes, Printers, and the Accidentals of Their Texts. Eds. Thaisen, Jacob, Rutkowska, Hanna, 135-155. New York: Peter Lang, 2011.
Alexander, Jonathan James Graham. The Decorated Letter. London, UK: Thames and Hudson, 1978.
Alison, Sarah et al., "Quantitative Formalism: An Experiment." Pamphlets of the Stanford Literary Lab, 15 January 2011. https://litlab.stanford.edu/LiteraryLabPamphlet1.pdf
Anderson, Nate. "Congressional Staffers Edit Boss's Bio on Wikipedia." Ars Technica, January 30, 2006. Accessed 13 June 2015. http://arstechnica.com/news.ars/post/20060130-6079.html.
Andrews, William Loring. Of the Extra Illustration of Books. Reproduction of 1900 printing. Charleston, SC: Nabu Press, 2010.
Anon, The king of Vtopia his Letter to the Citizens of Cosmopolis, the Metropolitan City of Vtopia. Printed at Cosmopolis in the Year 7461 and Reprinted at London An: Dom 1647. Wing K575. Early English Books Online. Accessed 10 June 2015.
Apian, Peter. Cosmographia. Antwerp: Apud haeredes Arnoldi Birckmanni, 1564.
Ault, Donald. "Re-Visioning William Blake's The Four Zoas." ImageTexT: Interdisciplinary Comics Studies, 3.2 (2007). Accessed June 20, 2013. http://www.english.ufl.edu/imagetext/archives/v3_2/ault/
Avrin, Leila. Scribes, Script, and Books: The Book Arts from Antiquity to the Renaissance. Chicago: American Library Association, 1991.
Ayres, Philip J. "Jonson, Northampton, and the 'Treason' in Sejanus." Modern Philology 80 (1983): 356-63.
Backhouse, Janet. The Lindisfarne Gospels. Oxford: Phaidon Press, 1981.
Bacon, Francis. Of the Advancement and Proficience of Learning; Or, the Partitions of Sciences, IX Bookes. Oxford, 1640.
Baker, Roger G. "Baker." SBL Forum. Society of Biblical Literature.
Ball, James Moore. Andreas Vesalius, the Reformer of Anatomy. Saint Louis: Medical Science Press, 1910.
Bartram, Alan. Five Hundred Years of Book Design. New Haven, CT: Yale University Press, 2001.
Baudin, Fernand. L'Effet Gutenberg. Paris: Editions du Cercle de la librairie, 1994.
Beal, Peter, comp. Index of English Literary Manuscripts. Vol. 1: 1450-1625. London & New York: Mansell, 1980.
Beal, Peter. "Notions in Garrison: The Seventeenth-Century Commonplace Book." In New Ways of Looking at Old Texts: Papers of the Renaissance English Text Society, 1985-1991, edited by W. Speed Hill, 131-47. Binghamton: Renaissance English Text Society, 1993.
Beal, Peter and A. S. G Edwards, Scribes and Transmission in English Manuscripts, 1400-1700. London: British Library, 2005.
Beal, Peter. A Dictionary of English Manuscript Terminology: 1450 to 2000. Oxford: Oxford University Press, 2008.
Beal, Peter, et al. Catalogue of English Literary Manuscripts 1450-1700. Arts and Humanities Research Council. http://www.celm-ms.org.uk.
Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction." In Illuminations, 217-251. Translated by Harry Zohn. New York: Schocken, 1968.
Bennett, James A. "Practical Geometry and Operative Knowledge." Configurations 6.2 (1998): 195-222.
Bennett, Henry S. Early English Books and Readers 1603 to 1640. Cambridge: Cambridge University Press, 1990.
Bennett, Judith M., and C. Warren Hollister. Medieval Europe: A Short History (10th ed.). New York: McGraw Hill, 2006.
Bennett, Paul A. Books and Printing: a Treasury for Typophiles. Cleveland: World Publ., 1951.
Berger, Thomas L. "Press Variants in Substantive Shakespearian Dramatic Quartos". The Library. 6th ser. 10(1988): 231-41.
Bernard, Phillipa, Leo Bernard, and Angus O'Neill. Antiquarian Books: A Companion for Booksellers, Librarians and Collectors. Philadelphia: University of Pennsylvania Press, 1994.
Best, Michael. "Shakespeare and the Electronic Text." A Concise Companion to Shakespeare and the Text. Edited by Andrew Murphy. (Oxford: Blackwell, 2007): 145-61.
Bettley, James, ed. The Art of the Book: From Medieval Manuscript to Graphic Novel. London, UK: V & A Publications, 2001.
The Holy Bible, containing the Old Testament and the New: newly translated out of the original tongues, and with the former translations diligently compared and revised: by His Majesties special command: appointed to be read in churches. London, UK: Printed by Charles Bill and the Executrix of Thomas Newcomb, 1701.
Bischoff, Bernhard. Latin Palaeography: Antiquity and the Middle Ages. Trans. Dáibhí Ó Cróinín and David Ganz. Cambridge, UK: Cambridge University Press, 1990.
Blades, William. The Enemies of Books. Reprinted by the Electronic Text Center, University of Virginia Library. Accessed June 26, 2013. http://etext.virginia.edu/toc/modeng/public/BlaEnem.html
Blair, Ann. "Errata Lists and the Reader as Corrector." Agent of Change: Print Culture Studies after Elizabeth L. Eisenstein. Ed. Sabrina Baron, Eric N. Lindquist, and Eleanor Shevlin. Amherst, MA: University of Massachusetts Press, 2007. 21-41.
Blake, Erin C., and Stuart Sillars. Extending the Book: The Art of Extra Illustration. Curated exhibit. Washington, DC: Folger Shakespeare Library, 2010.
Blake, Erin C., and Stuart Sillars. Extending the Book: The Art of Extra-Illustration. Seattle: University of Washington Press, 2010.
Blake, William. "A Song of Liberty." From The Marriage of Heaven and Hell. Copy M. Lambeth, c.1790.
Boece, Hector. [Heir Beginnis the Hystory and Croniklis of Scotland]. Edinburgh, [1540?].
Bosley, Andrew. "The Brainstormer." Sketch Hunter: The Art of Andrew Bosley. 2010. Accessed February 12, 2011. http://www.andrewbosley.com/the-brainstormer.html.
Bowers, Fredson. "Criteria for Classifying Hand-Printed Books as Issues and States." Papers of the Bibliographical Society of America 41 (1947): 271-292.
Bowers, Fredson. "Old Wines in New bottles: Problems of Machine Printing." Editing Nineteenth-Century Texts. Ed. John M. Robinson. Toronto: University of Toronto Press, 1967. 9-36.
Brady, Elizabeth A. Eric Gill: Twentieth Century Book Designer. Metuchen, NJ: Scarecrow Press, 1974.
Branmuller, A.R. "Shakespeares Various." In Arden: Editing Shakespeare. Edited by Ann Thompson and Gordon McMullan, 3-16. London: Arden Shakespeare-Thompson Learning, 2003.
Brewer, Charlotte. Editing Piers Plowman: The Evolution of the Text. Cambridge: Cambridge University Press, 1996.
Bringhurst, Robert. The Elements of Typographic Style. 3rd ed. Point Roberts, WA: Hartley & Marks, 2005.
Bringhurst, Robert. The Elements of Typographic Style, version 3.1. Vancouver: Hartley & Marks, 2005.
Bringhurst, Robert. The Elements of Typographic Style. Vancouver: Hartley & Marks Publishers, 2008.
Brooke, Ralph. A Discouerie of Certaine Errours Published in Print in the Much Commended Britannia. London, 1594.
Brooke, Ralph. Catalogue and Succession of the Kings, Princes, Dukes, Marquesses, Earles, and Viscounts of this Realme of England, since the Norman Conquest, to this Present Yeare, 1619. London, 1619.
Brooke, Ralph. A Catalogue and Succession of the Kings, Princes, Dukes, Marquesses, Earles, and Viscounts of this Realme of England, Since the Norman Conquest, to this Present Yeare, 1622. London, 1622.
Brown, Ian Gordon, ed. Scott's Interleaved Waverly Novels (The "Magnum Opus": National Library of Scotland MSS. 23001-41). Aberdeen, UK: Pergamon Books - Aberdeen University Press; National Library of Scotland, 1987.
Brown, Michelle P. The Lindisfarne Gospels: Society, Spirituality and the Scribes. Toronto: Unviersity of Toronto Press, 2003.
Brown, Michelle P. Painted Labyrinth: The World of the Lindisfarne Gospels. London, UK: The British Library, 2003.
Brown, Schuyler. "Concerning the Origin of the Nomina Sacra." Studia Papyrologica, ix (1970): 7-19.
Browne, Irving. An Account Of Some Books Containing Extra Illustrations, In A Private Library. Reproduction of 1874 printing. Charleston, SC: Nabu Press, 2012.
Budny, Mildred. "Assembly Marks in the Vivian Bible and Scribal, Editorial, and Organizational Marks in Medieval Books." In Making the Medieval Book: Techniques of Production. Proceedings of the Fourth Conference of the Seminar in the History of the Book to 1500, Oxford July 1992, edited by Linda L. Brownrigg, 199-239. Los Altos Hills, CA: Anderson-Lovelace, 1995.
Bujanda, Jesús Martínez de. Index Librorum Prohibitorum: 1600–1966. Montréal-Geneva: Droz, 2002.
Burke, Victoria. “Women and Seventeenth-Century Manuscript Culture: Four Miscellanies,” Seventeenth Century 12.2 (1997): 135-50.
Burton, D. M., "Automated Concordances and Word Indexes: The Fifties." Computers and the Humanities 15 (1981): 1-14.
Burton, Dolores M., "Automated Concordances and Word-Indexes: Machine Decisions and Editorial Revisions." Computers and the Humanities 16 (1982): 195-218.
Busa, Roberto, ed. Thomae Aquinatis Opera Omnia Cum Hypertextibus in CD-ROM. Milan: Editoria Elettronica Editel, 1992.
Busa, Roberto, "Perspectives on Digital Humanities." In A Companion to Digital Humanities, edited by Susan Schreibman, Ray Siemens, John Unsworth. Oxford: Blackwell, 2004. http://digitalhumanities.org:3030/companion/
Bush, Vannevar. "As We May Think." The Atlantic Monthly 176.1 (1945): 101-108.
Byron, George Gordon, Lord. Byron's "Don Juan": A Variorum Edition. Edited by Truman Guy Steffan and William W. Pratt. 4 vols. Austin: University of Texas Press, 1957.
Canham, Stephen. "Art and Illustrations of Vanity Fair and The Newcomes." Modern Language Quarterly, 43 (1982): 43-66.
Carey, Hilary M. "What Is A Folded Almanac?: The Form and Function of a Key Manuscript Source for Astro-medical Practice in Later Medieval England." Social History of Medicine 16 (2003): 481-509.
Carey, John. "Introduction." In Vanity Fair by William Makepeace Thackeray. London, UK: Penguin Books, 2002. ix-xxxii.
Carlino, Andrea. Paper Bodies: A Catalogue of Anatomical Fugitive Sheets. Translated by Noga Arika. London: Wellcome Institute for the History of Medicine, 1999.
Carlson, David. "Nicholas Jenson and the Form of the Renaissance Printed Page." In The Future of the Page, edited by Peter Stoicheff and Andrew Taylor, . Toronto: University of Toronto Press, 2004.
Carruthers, Mary, and Jan Ziolkowski. The Medieval Craft of Memory. Philadelphia: University of Pennsylvania Press, 2002.
Carruthers, Mary. The Book of Memory. 2nd ed. Cambridge: Cambridge University Press, 2008.
The Catholic Encyclopedia, s.v. "Glosses, Glossaries, Glossarists." Accessed May 18, 2012. http://www.newadvent.org/cathen/06588a.htm.
Cavallo, Guglielmo, and Roger Chartier. A History of Reading in the West. Translated by Lydia G. Cochrane. Amherst, MI: University of Michigan Press, 1999.
Caxton, William. [Here begynneth the boke intituled Eracles, and also of Godefrey of Boloyne the whiche speketh of the conquest of the holy londe of Iherusalem]. Westminster, 1481.
Chartier, Roger. The Author’s Hand and the Printer’s Mind: Transformations of the Written Word in Early Modern Europe. Cambridge, UK: Polity Press, 2014.
Chaucer, Geoffrey. "The Canterbury Tales." In The Works of Geoffrey Chaucer. Cleveland, OH: World Publishing Company, 1958.
Chaucer, Geoffery. The Variorum Chaucher. Edited by Paul Ruggiers. Norman: Oklahoma UP, 1979.
Claes, Koenraad, and Marysa Demoor. "The Little Magazine in the 1890s: Towards a 'Total Work of Art'". English Studies, 91.2 (2010): 133-149.
Clanchy, Michael T. “Looking Back from the Invention of Printing.” Literacy in Historical Perspective, ed. Daniel P. Resnick. Washington, D.C.: Library of Congress, 1983.
Clarke, Mary Cowden. The Complete Concordance to Shakspere. New York: Wiley and Putnam, 1846.
Clary, Frank Nicholas. "Charles Gildon's Editorial Apparatus and Nicholas Rowe's Hamlet." Hamlet Studies 25(2003): 156-74.
Clegg, Cyndia Susan. Press Censorship in Jacobean England. Port Chester: Cambridge University Press, 2001.
Clemens, Raymond and Timothy Graham. Introduction to Manuscript Studies. Ithaca and London: Cornell University Press, 2007.
Congreve, William. "The Mourning Bride, A Tragedy." In The Second Volume of the Works of Mr. William Congreve. London, UK: Jacob Tonson, 1710.
Connolly, Daniel K. "Imagined Pilgrimage in the Itinerary Maps of Matthew Paris." The Art Bulletin, 81.4 (Dec., 1999): 598-622. http://www.jstor.org/stable/3051336.
Connolly, Daniel K. The Maps of Matthew Paris: Medieval Journeys Through Space, Time and Liturgy. Woodbridge: Boydell Press, 2009.
Cooney, Charles, Glenn Roe and Mark Olsen. "The Notion of the Textbase. Design and Use of Textbases in the Humanities." Literary Studies in the Digital Age. MLA Commons. http://dlsanthology.commons.mla.org/the-notion-of-the-textbase
Cooper, Lane. "The Making and the Use of a Verbal Concordance."
The Sewanee Review 27.2 (Apr 1919): 188-206.
Coss, Peter. The origins of the English gentry. Cambridge, UK: Cambridge University Press, 2005.
Crane, Gregory, et al. "Drudgery and Deep Thought." Communications of the ACH. 44(2001)
Crane, Gregory. "In a Digital World, No Book Is an Island: Designing Electronic Primary Sources and Reference Works for the Humanities." In Creation, Use, and Deployment of Digital Information. Edited by Herre Van Oostendorp, Leen Breure, and Andrew Dillon, 11-26. (Malwah, NJ: Lawrence Erlbaum Associates, 2005)
Crick, Julia and Alexandra Walsham, The Uses of Script and Print, 1300–1700. Cambridge, UK: Cambridge University Press, 2004.
Cruden, Alexander. "Preface to the First Edition." A Complete Concordance to the Holy Scriptures of the Old and New Testament. London: T. Tegg and Son, 1837.
Cunningham, Richard. "Coincidental Technologies: Moving Parts in Early Books and in Early Hypertext." Digital Studies/Le champ numerique. Accessed April 30, 2012. http://www.digitalstudies.org/ojs/index.php/digital_studies/article/view/192/203
Cunningham, Richard. "Coincidental Technologies: Moving Parts in Early Books and Printed Hypertext." Digital Studies 0.12 (2009), https://www.digitalstudies.org/articles/10.16995/dscn.128/.
Dagenais, John. "Decolonizing the Medieval Page." In The Future of the Page, edited by Andrew Taylor and Peter Stoicheff, 37-70. Toronto: University of Toronto Press, 2004.
Daniels, Stephen. Humphry Repton: Landscape Gardening and the Geography of Georgian England. New Haven, CT: Yale University Press, 1999.
Danker, Frederick W. Multipurpose Tools for Bible Study. Minneapolis, MN: Fortress Press, 1993.
Darnton, Robert. "Philosophers Trim the Tree of Knowledge: The Epistemological Strategy of the Encyclopedie." In The Great Cat Massacre: And Other Episodes in French Cultural History. New York: Basic Books, 1984. 191-213.
Da Rold, Orietta. “The Significance of Scribal Corrections in Cambridge University Library MS dd.4.24 of Chaucer's Canterbury Tales.” Chaucer Review: A Journal of Medieval Studies and Literary Criticism 41.4 (2007): 393-438.
Darriot, Claudius. Dariotus Redivivus; or, A Briefe Introduction Conducing to the Judgement of the Stars, Wherein the Whole Art of Iudiciall Astrologie is Briefly and Plainly Delivered. London: Andrew Kemb, 1653.
Darwin, Charles. The Origin of Species: A Variorum Text. Edited by Morse Peckham. Philadelphia: University of Pennsylvania Press, 1959.
D'Avray, D. L. "Portable Vademecum books containing Franciscan and Dominican Texts." In Manuscripts at Oxford: An Exhibition in Memory of Richard William Hunt. Ed. A.C. de la Mare & B.C. Barker-Benfield. Oxford: Bodleian Library, 1980.
De Grazia, Margreta. "Shakespeare in Quotation Marks." In The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth, edited by Jean I. Marsden, 57-71. New York: St. Martin's, 1991.
de Hamel, C. F. R. Glossed Books of the Bible and the Origins of the Paris Booktrade. Woodbridge: D. S. Brewer, 1984.
De Hamel, Christopher. The Book: A History of the Bible. London: Phaidon Press, 2001.
de Lubac, Henri. Medieval Exegesis: The Four Senses of Scripture. Grand Rapids, Michigan: William B. Eerdmans Publishing Company, 1998.
Demarcq, Jacques. "L'espace de la page. Entre vide et plein." in L'aventure des ecritures: la page. Anne Zali, ed. Paris: Bibliothèque Nationale de France, 1999. 65-103.
Demers, Patricia, ed. From Instruction to Delight: An Anthology of Children's Literature to 1850. Oxford: Oxford University Press, 2008.
Derolez, Albert. The Palaeography of Gothic Manuscript Books: From the Twelfth to the Early Sixteenth Century. Cambridge: Cambridge University Press, 2003.
Diekhoff, John S. “The Trinity Manuscript and the Dictation of Paradise Lost.” Philological Quarterly 28 (1949): 44-52.
Distributed Proofreaders. Founded by Charles Franks, 2000. http://www.pgdp.net/. Accessed 10 June 2015.
Dobranski, Stephen. Readers and Authorship in Early Modern England. Cambridge: Cambridge University Press, 2005.
DigitalDonne: the Online Variorum 9. http://donnevariorum.tamu.edu
Donne, John. Variorum Edition of the Poetry of John Donne. Edited by Gary Stringer et al. Bloomington: Indiana University Press, 1995.
Drucker, Johanna. The Century of Artists' Books. New York: Granary Books, 1995.
Drucker, Johanna. "Artists' Books Past and Future." Figuring the Word: Essays on Books, Writing, and Visual Poetics. New York: Granary Books, 1998. 167-212.
Drucker, Johanna. Figuring the Word: Essays on Books, Writing, and Visual Poetics. New York: Granary Books, 1998.
Drucker, Johanna. "Graphesis: Visual Knowledge Production and Representation." Poetess Archive Journal, 2.1 (2010): 1-50.
Duffy, Eamon. Marking the Hours: English People and Their Prayers, 1240-1570. New Haven CT: Yale University Press, 2006.
Dutton, A. Richard. "The Sources, Text, and Readers of Sejanus: Jonson's 'integrity in the Story.'" Studies in Philology (1978): 181-98.
Duvall, Scot A. "Censorship and Language Taboos: The Supreme Court's Flying Circus," in Patterns of Censorship Around the World, edited by Ilan Peleg, 16-32. Boulder, CO: Westview Press, 1993.
Dyck, Paul and Stuart Williams. "Toward an Electronic Edition of an Early Modern Assembled Book." Digital Studies/ Le champ numérique no. 0.12 (2008). http://www.digitalstudies.org/ojs/index.php/digital_studies/article/view/132/181
Dzelzainis, Martin. "Andrew Marvell and the Restoration Literary Underground: Printing the Painter Poems." The Seventeenth Century, 22.2 (2007), 395-410.
Eisenstein, Elizabeth. The Printing Press as an Agent of Change. Cambridge: Cambridge University Press, 1982.
Eisenstein, Elizabeth. "Defending the Initial Shift: Some Features of Print Culture." In The Book History Reader. David Finkelstein and Alistair McCleery, eds. New York, NY: Routledge, 2002. 151-173.
Eisenstein, Elizabeth. The Printing Revolution in Early Modern Europe. Cambridge: Cambridge University Press, 1983. 2nd ed. 2012.
Eisenstein, Elizabeth L. The Printing Revolution in Early Modern Europe. Cambridge University Press, 1993.
Eliot, Simon, and Jonathan Rose. A Companion to the History of the Book. Malden, MA: Blackwell, 2007.
Evans, G. R. The Language and Logic of the Bible: The Road to Reformation. Cambridge: Cambridge University Press, 1985.
Fenlon, John Francis. "Concordances of the Bible." In The Catholic Encyclopedia. Vol. 4. New York: Robert Appleton Company, 1908. http://www.newadvent.org/cathen/04195a.htm
Ferrell, Lori Anne. The Bible and the People. Yale University Press, 2008.
Fillipacchi, Amanda. “Wikipedia’s Sexism Toward Female Novelists.” The New York Times, April 24, 2013. http://www.nytimes.com/2013/04/28/opinion/sunday/wikipedias-sexism-toward-female-novelists.html?_r=0 Accessed 13 June 2015.
Findlay, Brian. "Concordance." In The Oxford Companion to the Book, edited by Michael F. Suarez, S.J. and H. R. Woudhuysen. Oxford: Oxford University Press, 2010. http://www.oxfordreference.com/view/10.1093/acref/9780198606536.001.0001/acref-9780198606536-e-1156.
Finkelstein, David, and Alistair McCleery. An Introduction to Book History. New York: Routledge, 2005.
Frye, Northrop. "Poetry and Design in William Blake." The Journal of Aesthetics and Art Criticism, 10.1 (1951): 35-42.
Fyfe, Paul. “Electronic Errata: Digital Publishing, Open Review, and the Futures of Correction.” Debates in the Digital Humanities, ed. Matthew K Gold. Minneapolis, MN: University of Minnesota Press, 2012. 259-280.
Galey, Alan, Richard Cunningham, Brent Nelson, Ray Siemens, Paul Werstine, and the INKE Team. "Beyond Remediation: The Role of Textual Studies in Implementing New Knowledge Environments." In Digitizing Material Culture, from Antiquity to 1700, edited by Brent Nelson and Melissa Terras, 21-48. Toronto & Tempe, AZ: Iter/Arizona Centre for Medieval and Renaissance Studies, 2012.
Garber, Marjorie. Quotation Marks. New York and London: Routledge, 2003.
Garvey, Ellen Gruber. "Imitation Is the Sincerest Form of Appropriation: Scrapbooks and Extra-Illustration." Commonplace, 7.3 (2007). Accessed June 25, 2013. http://www.common-place.org/vol-07/no-03/garvey/
Gaskell, Phillip. A New Introduction to Bibliography. New Castle, DE: Oak Knoll Press, 1995.
Genette, Gerard. Paratexts: Thresholds of Interpretation. Cambridge: Cambridge University Press, 1997.
Gibson, James M. The Philadelphia Shakespeare Story: Horace Howard Furness and the Variorum Shakespeare. New York: AMS Press, 1990.
Little Gidding concordance. New Testament Gospels. Little Gidding, 1630. A 1275.5. Houghton Library, Harvard University, Cambridge, Mass. http://nrs.harvard.edu/urn-3:FHCL.HOUGH:10090806
Gilmont, J.-F. and A. Vanautgaerden, eds. La page de titre a la Renaissance. Treize etudes suivies de cinquante-quatre pages de titre commentees et d'un lexique des termes relatifs a la page de titre. Turnhout: Brepols, 2008.
Gingerich, Owen. "Early Astronomical Books with Moving Parts." In A History of Book Illustration: 29 Points of View. edited by Bill Katz, 288-296. London: Scarecrow Press, 1994.
Glaister, G.A. Encyclopedia of the Book. London: Oak Knoll Press, 2001.
Glaister, Geoffrey Ashall. Encyclopedia of the Book. 2nd Ed. New Castle, DE: Oak Knoll Press, 1996.
Gleick, James. The Information: A History, a Theory, a Flood. New York: Random House, 2011.
Gleick, James. “Wikipedia’s Women Problem.” The New York Review of Books, April 29, 2013. http://www.nybooks.com/blogs/nyrblog/2013/apr/29/wikipedia-women-problem/ Accessed 13 June 2015.
Gold, Matthew K., ed. Debates in the Digital Humanities. Minneapolis: University of Minnesota Press, 2012.
Gondris, Joanna. "'All This Farrago': The Eighteenth-Century Shakespeare Variorum Page as a Critical Structure." Reading Readings: Essays on Shakespeare Editing in the Eighteenth Century. Edited by Joanna Gondris, 123-39. Madison, WI: Fairleigh Dickinson UP, 1998.
Grafton, Anthony. Joseph Scaliger: A Study in the History of Classical Scholarship Volume 1. Oxford: Clarendon Press, 1983.
Grafton, Anthony. Defenders of the Text: The Traditions of Scholarship in an Age of Science: 1450-1800. Cambridge, MA: Harvard University Press, 1991.
Grafton, Anthony. The Footnote: A Curious History. Cambridge, MA: Harvard University Press, 1997.
Grafton, Anthony. "The Humanist as Reader." In Cavallo and Chartier, A History of Reading in the West, 179-212.
Grafton, Anthony and Megan Williams. Christianity and the Transformation of the Book: Origen, Eusebius, and the Library of Caesarea. London: The Belknap Press of Harvard University Press, 2006.
Grafton, Anthony, and Megan Williams. Christianity and the Transformation of the Book: Origen, Eusebius, and the Library of Caesarea. Cambridge, MA: Belknap, 2008.
Grafton, Anthony. The Culture of Correction in Renaissance Europe. London: British Library, 2011.
Graham, Timothy. "Glosses and Notes in Anglo-Saxon Manuscripts." In Working with Anglo-Saxon Manuscripts, edited by Gale R. Owen-Crocker, 169-71. Exeter: University of Exeter Press, 2009.
Granger, James. Biographical History of England, from Egbert the Great to the Revolution, Consisting of Characters Dispersed in Different Classes, and Adapted to a Methodical Catalogue of Engraved British Heads. Intended as an Essay towards Reducing Our Biography to a System, and a Help to the Knowledge of Portraits; with a Variety of Anecdotes and Memoirs of a Great Number of Persons Not to Be Found in Any Other Biographical Work. With a Preface, Showing the Utility of a Collection of Engraved Portraits to Supply the Defect, and Answer the Various Purposes of Medals. 2 vols. London: T. Davies, 1769.
"Granger, James." Dictionary of National Biography. Vol. 22. Leslie Stephen, ed. London: Smith, Elder, & Co., 1890. 372-74.
Green, Jonathon, The Encyclopedia of Censorship. New York, NY: Facts On File, 1990.
Greenfield, Jane. Notable Bindings. Yale University, 2002.
Greetham, David. Textual Scholarship: An Introduction. New York: Garland, 1994.
Greetham, David. The Pleasures of Contamination: Evidence, Text, and Voice in Textual Studies. Bloomington: Indiana University Press, 2010.
Greetham, D.C. Textual Scholarship: An Introduction. New York, NY: Garland Publishing, 1992.
Greg, W. W. “The Rationale of Copy Text.” Studies in Bibliography 3 (1950-51): 19-36.
Gregory, Caspar Rene. Canon and Text of the New Testament. Edinburgh: T. & T. Clark, 1907.
Gutjahr, Paul C., and Megan L. Benton, eds. Illuminating Letters: Typography and Literary Interpretation. Amherst: University of Massachusetts Press, 2001.
Hackel, Heidi Brayman. “‘Boasting of Silence’: Women Readers in a Patriarchal State.” Reading, Society, and Politics in Early Modern England. Ed. Kevin Sharpe and Steven N. Zwicker. Cambridge: Cambridge University Press, 2003. 101-122.
Haining, Peter. Movable Books: An Illustrated History. London: New English Library, 1979.
Haining, Peter. Movable Books: An Illustrated History. London: New English Library, 1979.
Hamel, Mary. “Scribal Self-Corrections in the Thornton Morte Arthure,” Studies in Bibliography 36 (1983): 119-37.
Hamesse, Jacqueline. "The Scholastic Model of Reading." In Cavallo and Chartier, A History of Reading in the West, 103-19.
Hamilton, Sara. "The Manuscripts of the Contra Patarenos." In Hugh Eteriano, Contra Paterenos. Leiden, Netherlands: Brill, 2004.
Hamlet Works. http://www.hamletworks.org.
Hammersmith, James P. “Frivolous Triffles and Weighty Tomes: Early Proof-Reading at London, Oxford, and Cambridge.” Studies in Bibliography 38 (1985): 236-251.
Hansard, T. C. Typographia. London: 1825.
Harding, Philip. Didymos on Demosthenes: Introduction, Text, Translation, and Commentary. Oxford: Clarendon, 2006
Hargraves, G. D. “‘Correcting in the Slip’: The Development of Galley Proofs.” The Library XXVI (1971): 295-311.
Harris, Roy. La semiologie de l'ecriture. Paris: CNRS, 1994.
Havely, Cicely Palser. "Mary Cowden Clarke’s Labours of Love." In Women, Scholarship and Criticism: Gender and Knowledge c. 1790-1900, edited by Joan Bellamy, Anne Laurence, and Gillian Perry, 110-124. Manchester, UK: Manchester University Press, 2000.
Heath, Jane. "Nomina Sacra and Sacra Memoria before the Monastic Age." The Journal of Theological Studies, 61.2(2010): 516-549.
Heil, Jacob and Todd Samuelson, “Book History and the Early Modern OCR Project, or Bringing Balance to the Force,” Journal for Early Modern Cultural Studies 13.4 (2013): 90-103.
Helfand, Jessica. Reinventing the Wheel. New York: Princeton Architectural Press, 2002.
Higdon, David Leon, "The Concordance: Mere Index or Needful Census?"
Text: An Interdisciplinary Annual of Textual Studies 15 (2002): 48-68.
Hill, Speed W. “Presidential Address: From ‘an age of editing’ to a ‘paradigm shift’: An Editorial Retrospect.” The Society for Textual Scholarship 16 (2006): 33-47.
Hinman, Carlton. The Printing and Proofreading of the First Folio of Shakespeare. Oxford: Clarendon Press, 1963.
Hockey, Susan. "The History of Humanities Computing." In A Companion to Digital Humanities, edited by Susan Schreibman, Ray Siemens, and John Unsworth, 3-19. Oxford: Blackwell, 2004.
Hooker, Richard. Laws of Ecclesiastical Polity. London, 1611.
Hooks, Adam G., curator. "Playbooks with Commonplace Markers" exhibit. Forms of Early Modern Writing conference. Columbia University, 2009. http://formsofearlymodernwriting.wikispaces.com/Playbooks+with+commonplace+markers.
Hooks, Adam G. "Necessary Quotation Marks." Anchora. June 8, 2011. http://www.adamghooks.net/2011/06/necessary-quotation-marks.html.
Hoover, David L. "Textual Analysis." Literary Studies in the Digital Age. MLA Commons. http://dlsanthology.commons.mla.org/textual-analysis/
Hotchkiss, Valerie, and Fred C. Robinson. English in Print: From Caxton to Shakespeare to Milton. Chicago, IL: University of Illinois Press, 2008.
Houston, Keith. Shady Characters: The Secret Life of Punctuation, Symbols & Other Typographical Marks. New York: Norton, 2013.
Houston, Keith. Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks. New York: W. W. Norton, 2013.
Howard-Hill, T. H. "The Compositors of Shakespeare's Folio Comedies," Studies in Bibliography 26 (1973): 61-106.
Howard-Hill, Thomas. "The Oxford Old-Spelling Shakespeare Concordances,"
Studies in Bibliography 22 (1969): 143-64.
Hunt, Maurice. "New Variorum Shakespeares in the Twenty-First Century" Yearbook of English Studies 29(1999): 57-68.
Hunter, G.K. "The Marking of Sententiae in Elizabethan Printed Plays, Poems, and Romances." The Library series 5, 6 (1951): 171-88.
Huot, Sylvia. "Visualization and Memory: The Illustration of Troubadour Lyric in a Thirteenth-Century Manuscript." Gesta 31 (1992): 3-14.
Hurtado, Larry W. "The Origin of the Nomina Sacra: A Proposal." Journal of Biblical Literature, 117.4 (1998): 655-673.
Illich, Ivan. In the Vineyard of the Text: A Commentary to Hugh's Didascalicon. Chicago: University of Chicago Press, 1996.
Internet Shakespeare Editions, University of Victoria
Jackson, Holbrook. The Anatomy of Bibliomania. 2nd Printing. New York: Farrar, Straus and Co., 1950.
Jackson, H. J. Marginalia: Readers Writing in Books. New Haven, CT: Yale University Press, 2001.
Jardine, Lisa. "Page-turning passion." BBC, January 8, 2010. http://news.bbc.co.uk/2/hi/uk_news/magazine/8447996.stm.
"The Life and Morals of Jesus of Nazareth." Reassembled by Thomas Jefferson from the New Testament Gospels ca. 1819. Currently owned by the Smithsonian National Museum of American History.
Jessop, Martyn. "Digital Visualization as a Scholarly Activity." Literary and Linguistic Computing 23, no. 3 (2008): 281-293.
Johnson, William A. Bookrolls and scribes in Oxyrinchus. Toronto: University of Toronto Press, 2004.
Jones, Leslie Webber. "Two Salzburg Manuscripts and the Influence of Tours." Speculum, 10.3 (1935): 288-291.
Jones, Thomas. The British Language in Its Lustre: Or a Copious Dictionary of Welsh and English. London: Lawrence Baskervile and John Marsh, 1688.
Jowett, John. “Henry Chettle and the First Quarto of Romeo and Juliet.” The Review of English Studies 1.1 (1950): 8-16.
Jowett, John. "Jonson's Authorization of Type in Sejanus and Other Early Quartos." Studies in Bibliography 44 (1991): 254-65.
Jubert, Roxanne. Typography and Graphic Design: From Antiquity to the Present. Translated by D. Radzinowicz and D. Dusinberre. Paris: Flammarion, 2006.
Kanas, Nick. "Volvelles! Early Paper Astronomical Computers." Mercury 34.2 (2005): 33-39.
Karr Schmidt, Suzanne. Altered and Adorned: Using Renaissance Prints in Daily Life. New Haven, CT: Yale University Press, 2011.
Kato, Takako. “Corrected Mistakes in Cambridge University Library MS Gg 4.27.” Design and Distribution of Late Medieval Manuscripts in England. Margaret Connolly and Linne R. Mooney, eds. Suffolk: Boydell and Brewer, 2008.
Keay, Julia. Alexander the Corrector: The Tormented Genius Whose Cruden's Concordance Unwrote the
Bible. Woodstock, NY: Overlook Press, 2004.
Kendrick, Laura. Animating the Letter: The Figurative Embodiment of Writing From Late Antiquity to the Renaissance. Columbus: Ohio State University Press, 1999.
Kenney. E. J. “Books and Readers in the Roman World,” in The Cambridge History of Classical Literature II. Cambridge: Cambridge University Press, 1982. 3-32.
Ker, N. R. English Manuscripts in the Century after the Norman Conquest. Oxford: Clarendon Press, 1960.
Kichuk, Diana. “Loose, Falling Characters and Sentences: the Persistence of the OCR Problem in Digital Repository E-Books.” Libraries and the Academy 15.1 (2015): 59-91.
Kiernan, Kevin. "Reading Cædmon's 'Hymn' with Someone Else's Glosses." Representations 32 (1990): 157-74.
King, Edmund G. C. "'Small-Scale Copyrights'?: Quotation Marks in Theory and Practice." Papers of the Bibliographic Society of America 98 (2004): 39-53.
King James Bible. Literature Online. http://lion.chadwyck.com.myaccess.library.utoronto.ca
Kirschenbaum, Matthew. "Bookscapes: Modeling Books in Electronic Space." Paper presented at the Human-Computer Interaction Lab 25th Annual Symposium, University of Maryland, May 28-29, 2008.
Kisery, Andras. "Politicians in Show": The Circulation of Political Knowledge in Early Seventeenth-Century English Drama. Ph.D. diss. Columbia University, 2008
Kliman, Bernice W. "Print and Electronic Editions Inspired by the New Variorum Hamlet Project" Shakespeare Survey 59(2006): 157-67.
Knowles, Richard. "Variorum Commentary." TEXT 6(1994): 35-47.
Knowles, Richard. "What's New In the New Variorum?" Shakespearean International Yearbook 2(2002): 143-9.
Knowles, Richard. Shakespeare Variorum Handbook: A Manual of Editorial Practice. New York: MLA, 2003.
Krajeski, Jenna. "Good Ruined Books and Bad Ruined Books." The New Yorker. March 12, 2010. Accesed June 26, 2013. http://www.newyorker.com/online/blogs/books/2010/03/good-ruined-books-and-bad-ruined-books.html
Kropf, C.R. "Libel and Satire in the Eighteenth Century." Eighteenth-Century Studies 8.2 (1974-1975): 153-168.
Landow, George P. Hypertext: the convergence of contemporary critical theory and technology. Baltimore and London: Johns Hopkins University Press, 1992.
Lang, Andrew. The Library. London: MacMillan & Co., 1881.
Lang, Andrew. The Library. 2nd ed. Reprint. Whitefish, MT: Kessinger Publishing, 2005.
Laufer, Roger. "L;espace visuel du livre ancien." In Histoire de l'edition francaise. Vol. 1. Henri-Jean Martin, Roger Chartier and Jean-Pierre Vivet, eds. Paris: Promodis, 1982. 579-601.
Lavagnino, John. "Two Varieties of Digital Commentary." In Textual Performances: The Modern Reproduction of Shakespeare's Drama. Edited by Lukas Erne and Margaret Jane Kidnie, 194-209. Cambridge: Cambridge UP, 2004.
Lechner, Joan Marie. Renaissance Concepts of the Commonplaces. New York: Pageant, 1962.
Lehmann, Evan. “Rewriting History Under the Dome.” The Lowell Sun, January 27, 2006. http://www.lowellsun.com/ci_3444567 Accessed 13 June 2015.
Lerer, Seth. Error and the Academic Self: The Scholarly Imagination, Medieval to Modern. New York: Columbia University Press, 2002.
Lerer, Seth. “Errata: Print, Politics, and Poetry in Early Modern England.” Reading, Society, and Politics in Early Modern England. Ed. Kevin Sharpe and Steven N. Zwicker. Cambridge, UK: Cambridge University Press, 2003.
Lesser, Zachary, and Peter Stallybrass. "The First Literary Hamlet and the Commonplacing of Professional Plays." Shakespeare Quarterly 59 (2008): 371-420.
Lewis, Suzanne. The Art of Matthew Paris in the "Chronica Majora." Berkeley: University of California Press, 1987.
Lindberg, Sten G. "Mobiles in Books: Volvelles, Inserts, Pyramids, Divinations, and Children's
Games." Translated by William S. Mitchell. The Private Library, 3rd series, 2.2 (Summer 1979): 49-82.
Liu, Alan, "The End of the End of the Book: Dead Books, Lively Margins, and Social
Computing." Michigan Quarterly Review 48 (2009): 499-520.
Loughlin-Chow, M. Clare. "Bowdler, Thomas (1754-1825), Writer and Literary Editor."Oxford Dictionary of National Biography. Oxford University Press, 2004. Accessed 25 April 2011. http://www.oxforddnb.com.myaccess.library.utoronto.ca/view/article/3032?docPos=6.
Love, Harold. Scribal Publication in Seventeenth Century England. Oxford: Oxford University Press, 1993.
Lowe, E. A. "On the Oldest Extant Ms. of the Combined Abstrusa and Abolita Glossaries." The Classical Quarterly, 15 (1921): 189-191.
Lowe, E. A. "A New Manuscript Fragment of Bede's 'Historia Ecclesiastica'." English Historical Review, XLI.CLXII (1926): 244-246.
Lowe, E. A. "The Oldest Omission Signs in Latin Manuscripts: Their Origin and Significance." In Paleographical Papers 1907-1965, edited by Ludwig Bieler, vol. 2, 349-80. Oxford: Oxford University Press, 1972.
Maclaurin, E. C B. "YHWH, the Origin of the Tetragrammaton." Vetus Testamenum 12.4 (1962): 439-463.
Mahaffey, Vicki. “Intentional Error: The Paradox of Editing Joyce’s Ulysses.” Representing Modern Texts: Editing as Interpretation. Ed. George Bornstein. Ann Arbor: University of Michigan Press, 1991. 171-192.
Mak, Bonnie. "Introduction" and "Architectures of the Page." In How the Page Matters, 3-21. Toronto: University of Toronto Press, 2011.
Mak, Bonnie. How the Page Matters. Toronto: University of Toronto Press, 2011.
Malone, Edward A. “Learned Correctors as Technical Editors.” Journal of Business and Technical Communication 20.4 (2006): 389-424.
Manguel, Alberto. "Turning the page." In The Future of the Page. Andrew Taylor and Peter Stoicheff, eds. Toronto: University of Toronto Press, 2004. 27-36.
Martin, Henri-Jean, and Jean Vezin. Mise en Page et Mise en Texte du Livre Manuscrit. Paris: Editions du Cercle De La Librairie-Promodis, 1990.
Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge: Cambridge University Press, 2007.
Massai, Sonia. "Early Readers." In The Oxford Handbook of Shakespeare, edited by Arthur F. Kinney, 143-64. Oxford: Oxford University Press, 2012.
McGann, Jerome. "Visible and Invisible Books: Hermetic Images in N-Dimensional Space." New Literary History, 32.2 (2001): 283-300.
McGann, Jerome. "The Socialization of Texts." In The Book History Reader. David Finkelstein and Alistair McCleery, eds. New York: Routledge, 2002. 39-46.
McGrath, Leslie A. This Magical Book: Movable Books for Children, 1771-2001. Toronto: Coach House Press, 2002.
McKenzie, D. F. Bibliography and the Sociology of Texts. Cambridge: Cambridge University Press, 1985.
McKenzie, D.F. "Typography and Meaning: The Case of William Congreve." In Making Meaning: "Printers of the Mind" and Other Essays. Peter D.M. McDonald and Michael F. Suarez, eds. Amherst: University of Massachusetts Press, 2002. 198-236.
McKenzie, Kenneth. "Means and Ends in Making a Concordance, with Special Reference to Dante and Petrarch." Annual Reports of the Dante Society 25 (1906): 19-46.
McKerrow, Ronald B. An Introduction to Bibliography for Literary Students. Oxford: Clarendon, 1928.
McKitterick, David. Print, Manuscript and the Search for Order, 1450-1830. Cambridge: Cambridge University Press, 2003.
McKitterick, David. “A House of Errors.” Print, Manuscript and the Search for Order, 1450-1830. Cambridge University Press, 2003. 97–138.
McKitterick, David. “Not in STC: Opportunities and Challenges in the ESTC.” The Library 6.2 (2005): 178-194.
McLeod, Randall [Clod, Random]. "Gerard Hopkins and the Shapes of His Sonnets." In Voice, Text, Hypertext: Emerging Practices in Textual Studies, edited by Raimonda Modiano, Leroy F. Searle, and Peter Shillingsburg, 177-297. Seattle: University of Washington Press, 2004.
McMurtrie, Douglas C. "Concerning Quotation Marks." Gazette of the Grolier Club 8 (1926): 177-81.
McMurtrie, Douglas C. The Book: The Story of Printing and Bookmaking. London: Oxford University Press, 1943.
Meehan, Bernard. The Book of Kells. London, UK: Thames and Hudson, 1994.
Meggs, Philip B., and Alston W. Purvis. Meggs' History of Graphic Design. 4th ed. Hoboken, NJ: John Wiley & Sons, 2006.
Mellby, Julie. "Asher B. Durand: Extra-Illustrated or Grangerized?" Graphic Arts: Exhibitions, acquisitions, and other highlights from the Graphic Arts Collection. Princeton University Library. July 18, 2009. Accessed June 26, 2013. http://blogs.princeton.edu/graphicarts/2009/07/durand.html.
Metzger, Bruce M. Manuscripts of the Greek Bible: An Introduction to Palaeography. Oxford: Oxford University Press, 1981.
Milton, John. A Variorum Commentary on the Poems of John Milton. Edited by Merritt Y. Hughes et al. 6 vols. New York: Columbia University Press, 1970-75.
Mitchell, C. J. "Quotation Marks, National Compositorial Habits and False Imprints." The Library series 6, 5 (1983): 359-84.
Mitchell, W.J.T. "Poetic and Pictorial Imagination in Blake's The Book of Urizen." Eighteenth-Century Studies, 3.1 (1969): 83-107.
Molekamp, Femke. "'Of the Incomparable Treasure of the Holy Scriptures': The Geneva Bible in the Early Modern Household." In Literature and Popular Culture in Early Modern England, edited by Matthew Dimmock and Andrew Hadfield, 121-35. Burlington, VT: Ashgate, 2009.
Montanaro, Ann. "A Concise History of Pop-up and Movable Books." Rutgers University Libraries. Accessed February 19, 2012. http://www.libraries.rutgers.edu/rul/libs/scua/montanar/p-intro.htm.
Moore, Colette. Quoting Speech in Early English. Cambridge: Cambridge University Press, 2011.
More, Thomas. Utopia, in Three Early Modern Utopias. Susan Bruce, ed. and introd. Oxford : Oxford University Press, 1999.
Morgan, Nigel J., and Rodney M. Thomson. The Cambridge History of the Book in Britain. Vol. 2, 1100-1400. Cambridge: Cambridge University Press, 2008.
Morris, William. "The Ideal Book" . In The Ideal Book: Essays and Lectures on the Arts of the Book, edited by William S. Peterson. Berkeley, CA: University of California Press, 1982.
Morrison, Stephen. “What Is Scribal Error, and What Should Editors Do (or Not Do) About It?” Probable Truth: Editing Medieval Texts from Britain in the Twenty-First Century. Eds. Vincent Gillespie and Anne Hudson. Turnhout: Brepols, 2013. 261-273.
Moss, Ann. Printed Commonplace-Books and the Structuring of Renaissance Thought. Oxford: Clarendon Press, 1996.
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing, 88-100. Cambridge: Cambridge University Press, 2003.
Museum of the History of Science, Oxford. "A Lunar Clock." http://www.mhs.ox.ac.uk/students/98to99/Inst/Instpgs/8.tinyVOLVELLEhoraeDiei.html.
Mylne, Vivienne. "The Punctuation of Dialogue in Eighteenth-Century French and English Fiction." The Library 6th ser. 1 (1979): 43-61.
Nelson, Brent, Jon Bath, and the INKE Team. "Old Ways for Linking Texts in the Digital
Reading Environment: The Case of the Thompson Chain Reference Bible."
Digital Humanities Quarterly 6, no. 2 (2012). http://www.digitalhumanities.org/dhq/vol/6/2/000137/000137.html
Nelson, Brent, et. al. "A Short History and Demonstration of the Dynamic Table of Contexts." Scholarly and Research Communication 13.4 (2012). http://src-online.ca/index.php/src/article/view/55
Nelson, Theodor H. Dream Machines: New Freedoms through Computer Screens - A Minority Report. Chicago, 1974.
Neville-Sington, Pamela. "Press, Politics and Religion." In The Cambridge History of the Book in Britain. Volume III, 1400-1557, edited by Lotte Hellinga and J. B. Trapp, 576-607. Cambridge: Cambridge University Press, 1999.
Nichols, Stephen G. "'Art' and 'Nature': Looking for (Medieval) Principles of Order in Occitan Chansonnier N (Morgan 819)." In The Whole Book: Cultural Perspectives on the Medieval Miscellany, edited by Stephen G. Nichols and Siegfried Wenzel, 83-121. Ann Arbor: University of Michigan Press, 1996.
Nicosia, Marissa. “Thinking with Annotated Books: the Honnold-Mudd Fourth Folio.” June 8, 2015. https://marissanicosia.wordpress.com/2015/06/08/thinking-with-annotated-books-the-honnold-mudd-fourth-folio/
Norris, F. W. "The Tetragrammaton in Gregory Nazianzen (Or. 30.17)." Vigiliae Christianae, 43.4 (1989): 339-344.
Norton, David. A Textual History of the King James Bible. Cambridge, UK: Cambridge University Press, 2005.
Oxford English Dictionary. S.v. "Vade-mecum." Accessed August 23, 2012, http://www.oed.com/view/Entry/220967?p=emailAq7FvT529S5ps&d=220967.
Oldfield, Philip, and Richard Landon. Ars Medica: Medical Illustration Through the Ages. Toronto: Thomas Fisher Rare Book Library, 2006. http://php.ams-inc.on.ca/files/ArsMedica.Small.pdf
Ong, Walter. Orality and Literacy: The Technologizing of the Word. New York: Routledge, 1982.
Otlet, Paul. Traite de documentation : le livre sur le livre, theorie et pratique. Bruxelles: Mundaneum, 1934.
Oxford English Dictionary Online. Accessed 25 April 2011. http://www.oed.com.
Parkes, Malcolm Beckwith. "Layout and Presentation of the Text." In The Cambridge History of the Book in Britain. Vol. 2. Edited by Nigel Morgan and Rodney M. Thomson. Cambridge: Cambridge University Press, 2008.
Parkes, Malcolm Beckwith. "The Influence of the Concepts of Ordinatio and Compilatio on the Development of the Book." In Medieval Learning and Literature: Essays Presented to Richard William Hunt, edited by J. J. G. Alexander and M. T. Gibson, 115-41. Oxford: Clarendon Press, 1976.
Parkes, M. B. Scribes, Scripts, and Readers: Studies in the Communication, Presentation, and Dissemination of Medieval Texts. London: Hambledon Press, 1991.
Parkes, M. B. Pause and Effect: An Introduction to the History of Punctuation in the West. Berkeley & Los Angeles: University of California Press, 1993.
Patterson, Annabel M. Censorship and Interpretation: The Conditions of Writing and Reading in Early Modern England. Madison, WI: University of Wisconsin Press, 1984.
Patterson, Annabel. Censorship and Interpretation: The Conditions of Writing and Reading in Early Modern England. Madison: University of Wisconsin Press, 1984.
Peltz, Lucy. "The Extra-Illustration of London: Leisure, sociability and the antiquarian city in the late-eighteenth century." Ph.D. thesis, Manchester University, 1997.
Peltz, Lucy. "The Cut and Paste of English History." Country Life, 24.31 (1998): 66-68.
Peltz, Lucy. "The Extra-Illustration of London: The gendered spaces and practices of antiquarianism in the late eighteenth century." In Producing the Past: Aspects of Antiquarian Culture and Practice, 1700-1850. Martin Myrone and Lucy Peltz, eds. Farnham, Surrey, United Kingdom: Ashgate, 1999. 115-134.
Peters, Jean, ed. The Bookman’s Glossary. New York: Bowker, 1983.
Petrucci, Armando. Writers and Readers in Medieval Italy. Charles M. Radding, ed. and trans. Yale University Press, 1995.
Pettegree, Andrew. The Book in the Renaissance. New Haven, CT: Yale University Press, 2010.
phpBB. "Documentation." Accessed April 25, 2011. http://www.phpbb.com/support/documentation/3.0/adminguide/acp_posting.php.
Pinnock, William. A Comprehensive Grammar of Modern Geography and History. London: Pool & Edwards, 1837.
Piranesi, Giovanni Batista. Excerpts from "Prima Parte di Architteture, e Prospettive, First Edition, First Issue, 1743." In Early Architectural Fantasies: A Catalogue Raisonne of the Etchings, by Andrew Robison. Washington, DC: National Gallery of Art, 1986.
Pirenne, Henri. Mahomet et Charlemagne. Paris: Presses Universitaires de France, 1992.
Pliny, the elder. Natural History. Vol. 1. Edited by H. Rackham. Cambridge, MA: Harvard University Press, 1938.
Pope, Alexander. The Dunciad: with Notes Variorum, and the Prolegomena of Scriblerus. London: Lawton Gilliver, 1729. Edited by Allison Muri and Catherine Nygren at http://grubstreetproject.net/works/T5549.
Powell, Daniel, with Constance Crompton and Ray Siemens. "Glossary."
Literary Studies in the Digital Age. MLA Commons. http://dlsanthology.commons.mla.org/ glossary-of-terms/
Pozeg, Zlatko I. and Eugene S. Flamm. "Vesalius and the 1543 Epitome of his De humani corporis Fabrica librorum: A Uniquely Illuminated Copy." Papers of the Bibliographical Society of America 103.2 (2009): 199-220.
Quignard, Pascal. Les Tablettes de buis d'Apronenia Avitia. Paris: Gallimard, 1984.
Raabe, Wesley. “Harriet Beecher Stowe’s Uncle Tom’s Cabin: A Case Study in Textual Transmission.” The American Literature Scholar in the Digital Age. Eds. Amy E. Earhart and Andrew Jewell. Ann Arbor: University of Michigan Press, 2011. 63-83.
Ramsay, Stephen. "Who's in and Who's Out." Stephen Ramsay (blog). January 8, 2011. http://stephenramsay.us/text/2011/01/08/whos-in-and-whos-out/.
Ramsay, Stephen. "Fr. Roberto Busa, S. J. (1913-2011)." August 11, 2011. Stephen Ramsay (blog). http://stephenramsay.us/2011/08/11/father-roberto-busa/
Reddick, Allen. The Making of Johnson’s Dictionary 1746–1773. Cambridge: Cambridge University Press, 1990.
Rees, Neil. "Dissecting the Bible." The Bible Society.
Reid-Walsh, Jacqueline. "The Late 18th Century Harlequinade: A Migration from Stage to Book." ICS Leeds Communications Research. May 2005. http://icsleeds.com/vp01.cfm?outfit=ics&requesttimeout=500&folder=18&paper=23
Repton, Humphry. Observations On the Theory and Practice of Landscape Gardening. London: Printed for Taylor, 1803.
Reynolds, L. D. and N. G. Wilson. Scribes and Scholars: A Guide to the Transmission of Greek and Latin Literature. Oxford, UK: Oxford University Press, 1968.
Rhodes, Neil and Jonathan Sawday. "Paperworlds: Imagining the Renaissance Computer," in The
Renaissance Computer: Knowledge Technology in the First Age of Print, 1-17. London:
Richardson, Brian. Print Culture in Renaissance Italy: The Editor and the Vernacular Text 1470–1600. Cambridge: Cambridge University Press, 1999.
Rider, Fremont. The Scholar and the Future of the Research Library. New York City: Hadham Press, 1944.
Ritschl, F. W. De Dionysii Halic. Antiquitatibus Romanis (Bresslau, 1838).
Roberts, C. H. "Books in the Graeco-Roman World and in the New Testament." In The Cambridge History of the Bible. Volume 1, From the Beginnings to Jerome. Edited by P. R. Ackroyd and C. F. Evans. Cambridge: Cambridge University Press, 1970.
Roberts, Jane, and Pamela Robinson, eds. The History of the Book in the West: 400AD-1455. Burlington, VT: Ashgate, 2010.
Roberts, Sasha. Reading Shakespeare's Poems in Early Modern England. Basingstoke: Palgrave Macmillan, 2003.
Robertson, Randy. Censorship and Conflict in Seventeenth-Century England: The Subtle Art of Division. University Park, PA: Penn State Press, 2009.
Robinson, Pamela. "The Format of Books - Books, Booklets and Rolls." In The Cambridge History of the Book in Britain, Volume 2, 1100-1400. Edited by Nigel Morgan and Rodney N. Thomson. Cambridge: Cambridge University Press, 2008. 41-54.
Rock, Daniel. The Church of Our Fathers as Seen in St. Osmund's Rite for the Cathedral of Salisbury. 2nd ed. Vol. 1. London: John Murray, 1905.
Rockwell, Geoffrey. "An Alternate Beginning to Humanities Computing." Theoreti.ca (blog). May 2, 2007 (10:51 a.m.). http://theoreti.ca/?p=1608
Rockwell, Geoffrey. "H. P. Luhn, KWIC and the Concordance." Theoreti.ca (blog). April 2, 2009 (10:51 a.m.). http://theoreti.ca/?p=2435
Rogers, Shef. "Pope, Publishing, and Popular Interpretations of the Dunciad Variorum." Philological Quarterly 74.3 (Summer 1995): 279-295.
Roston, Murray. The Soul of Wit: A Study of John Donne. Oxford: Oxford University Press, 1974.
Rouse, Mary A., and Richard H. Rouse. "Concordances et Index." In Mise en Page et Mise en Texte du Livre Manuscrit. Edited by Henri-Jean Martin and Jean Vezin, 219-28. Paris: Éditions du Cercle De La Librairie - Promodis, 1990.
Rouse, Mary A., and Richard H. Rouse. "Naissance de Index." In Histoire de l'edition francaise. Henri-Jean Martin and Jean Vezin, eds. Paris, Promodis, 1990. 77-85.
Rouse, Mary A., and Richard H. Rouse. Authentic Witnesses: Approaches to Medieval Texts and Manuscripts. Publications in Medieval Studies v. 17 (i.e. 27). Notre Dame, IN: University of Notre Dame Press, 1991.
Rouse, Mary A., and Richard H. Rouse. "Statim invenire: Schools, Preachers, and New Attitudes to the Page." In Authentic Witnesses: Approaches to Medieval Texts and Manuscripts, 191-219. Notre Dame, IN: University of Notre Dame Press, 1991.
Rouse, Richard H., and Mary A. Rouse. Preachers, Florilegia, and Sermons: Studies on The Manipulus Florum of Thomas of Ireland. Toronto: Pontifical Institute of Mediaeval Studies, 1979.
Rouse, Richard H. "Backgrounds to Print: Aspects of the Manuscript Book in Northern Europe of the Fifteenth Century." In Authentic Witnesses: Approaches to Medieval Texts and Manuscripts, by Mary A. Rouse and Richard H. Rouse, 449-66. Notre Dame, IN: University of Notre Dame Press, 1991.
Rozzo, Ugo. “Italian Literature on the Index.” Church, Censorship and Culture in Early Modern Italy. Ed. Gigliola Fragnito. Cambridge: Cambridge University Press, 2011. 194-223.
Rubin, Ellen G.K. "Pop-up and Movable Books in the Context of History." The Pop-Up Lady. Last modified January 27, 2011. http://www.popuplady.com/about01-history.shtml.
Rumble, Alexander R. "Cues and Clues: Palaeographical Aspects of Anglo-Saxon Scholarship." In Form and Content of Instruction in Anglo-Saxon England in Light of Contemporary Manuscript Evidence, edited by Patrizia Lendinara, Loredana Lazzari, and Maria Amalia D'Aronco, 115-30. Turnhout: Brepols, 2007.
Sacro Bosco, Ioannes de. Sphaera. Paris: Apud Gulielmum Cauellat, 1552.
Saenger, Paul. Space Between Words: The Origins of Silent Reading. Stanford, CA: Stanford University Press, 1997.
Saenger, Paul. "Reading in the Later Middle Ages." In Cavallo and Chartier, A History of Reading in the West, Amherst: University of Massachusetts Press, 1999. 120-48.
Sanders, Mark A. "William Cowper and His Decorated Copperplate Initials." The Anatomical Record, 282B (2005): 5-12.
Scherbenske, Eric W. Canonizing Paul: Ancient Editorial Practice and the Corpus Paulinum. Oxford: Oxford University Press, 2013.
Schmidt, Suzanne Karr. "Constructions both Sacred and Profane: Serpents, Angels, and Pointing
Fingers in Renaissance Books with Moving Parts." The Yale University Library Gazette 78, no. 3/4 (2004): 101-27. Available at https://www.jstor.org/stable/40859568.
Schoenberg Centre for Electronic Text & Image, University of Pennsylvania
Shailor, Barbara A. "MS 84: Boethius, De consolatione philosophiae". In Catalogue of Medieval and Renaissance Manuscripts in the Beinecke Rare Book and Manuscript Library Yale University, Volume 1: MSS 1-250. 119-120. Binghamton, NY: Medieval & Renaissance Texts & Studies, 1984.
Shailor, Barbara A. The Medieval Book. Toronto: University of Toronto Press, 2002.
Shakespeare, William. Mr Shakespeares Comedies, Histories, & Tragedies London: Isaac Iaggard and Ed. Blount, 1623, 70. Measure for Measure, TLN 1199, http://internetshakespeare.uvic.ca/Annex/Texts/MM/F1/work/.
Shakespeare, William. Plays. Edited by Samuel Johnson. 8 vols. London, 1765.
Shakespeare, William. Plays. Edited by Samuel Johnson and George Steevens. 10 vols. London, 1773.
Shakespeare, William. Plays. Edited by Samuel Johnson and George Steevens. 10 Vols. With Supplement. Edited by Edmond Malone. 2 Vols. London, 1778 and 1780.
Shakespeare, William. Plays. Edited by Samuel Johnson, George Steevens and Isaac Reed. 10 vols. 1785.
Shakespeare, William. Plays. Edited by George Steevens and Isaac Reed. 15 vols. 1793.
Shakespeare, William. Plays. Edited by Isaac Reed. 21 vols. 1803.
Shakespeare, William. Plays. Edited by Isaac Reed. 21 vols. 1813.
Shakespeare, William. Plays and Poems. Edited by James Boswell and Edmond Malone. 21 vols. London: RC & J Rivington (etc.), 1821.
Shakespeare, William. Romeo and Juliet. A New Variorum Edition of Shakespeare. Edited by H.H. Furness. Philadelphia: Lippincott, 1871.
Shakespeare, William. Hamlet. A New Variorum Edition of Shakespeare. Edited by H.H Furness. 2 vols. Philadelphia: Lippincott, 1877.
Shakespeare, William. The Winter's Tale. A New Variorum Edition of Shakespeare. Edited by H.H. Furness. Philadelphia: Lippincott, 1898.
Shakespeare, William. The Sonnets. A New Variorum Edition of Shakespeare. Edited by Hyder E. Rollins. 2 vols. Philadelphia: Lippincott, 1944.
Shakespeare, William. As You Like It. A New Variorum Edition of Shakespeare. Edited by Richard Knowles. New York: MLA, 1977.
Shakespeare, William. Measure for Measure. A Variorum Edition of Shakespeare. Edited by Mark Eccles. New York: MLA, 1980.
Shakespeare, William. Antony and Cleopatra. A New Variorum Edition of Shakespeare. Edited by Marvin Spevack, et al. New York: MLA, 1990.
Shakespeare, William. The Winter's Tale. A New Variorum Edition of Shakespeare. Edited by Virginia Westling Haas and Robert Kean Turner. New York: MLA, 2005.
Shannon, Claude E. and Warren Weaver. The Mathematical Theory of Communication. Urbana: University of Illinois Press, 1949.
Sherman, Claire Richter. Writing on Hands: Memory and Knowledge in Early Modern Europe. Washington, DC: The Folger Shakespeare Library, 2000.
Sherman, William H. Used Books: Marking Readers in Renaissance England. Philadelphia: University of Pennsylvania Press, 2008.
Shillingsburg, Peter. Resisting Texts: Authority and Submission in Constructions of Meaning. Ann Arbor: University of Michigan Press, 1996.
Shillingsburg, Peter L. From Gutenberg to Google: Electronic Representations of Literary Texts. Cambridge University Press, 2006.
Silk, Edmund T. "The Yale 'Girdle-Book' of Boethius". The Yale University Library Gazette 17 (1942): 1-5.
Silva, Andie. “Counterfeit Letters and Fictional Trials: Thomas More’s Utopia as Cultural Brand.” Appositions 9 (2016). http://appositions.blogspot.com/2016/08/andie-silva-mores-utopia-as-cultural.html
Silverman, Craig. Regret the Error: How Media Mistakes Pollute the Press and Imperil Free Speech. New York: Union Square Press, 2007.
Simpson, Percy. Proofreading in the Sixteenth, Seventeenth, and Eighteenth Centuries. London: Oxford University Press, 1935.
Sirat, Colette. "Du rouleau au codex." In Le livre au Moyen Age. Jean Glenisson, ed. Paris: Brepols, 1988. 14-21.
Skelton, Raleigh Ashlin. Introduction to The Mariner's Mirrour: London, 1588, by Lucas Jansz Waghenaer, v-xi. Amsterdam: Theatrum Orbis Terrarum, 1966.
Slights, William W. E. The Heart in the Age of Shakespeare. Cambridge: Cambridge University Press, 2008.
Slights, William W. E. Managing Readers: Printed Marginalia in English Renaissance Books. Ann Arbor: University of Michigan Press, 2001.
Slights, William W. E. "Back to the Future -- Littorally: Annotating the Historical Page." in The Future of the Page, ed. Peter Stoicheff and Andrew Taylor. Toronto: University of Toronto Press, 2004, 91-110.
Smith, David Nichol. Shakespeare in the Eighteenth Century. Oxford: Clarendon, 1928.
Smith, Margit, and Jim Bloxam. "The Medieval Girdle Book Project." International Journal of the Book 3 (2006): 15-24.
Smith, Margaret M. "Index." In The Oxford Companion to the Book. Volume I and II. Essays A-Z, edited by Michael F. Suarez and H. R. Woudhuysen. Oxford: Oxford University Press, 2010.
Sontag, Susan. "Notes on 'Camp.'" Partisan Review 31 (1964): 515-30.
Southward, John. Practical Printing: A Handbook of the Art of Typography. London: J. M. Powell and Son, 1884.
Speaight, George. "Harlequinade Turn-Ups." Theatre Notebook 45.2 (1991): 70-84.
Stallybrass, Peter. "Books and Scrolls: Navigating the Bible," in Books and Readers in Early Modern England: Material Studies. Edited by Jennifer Andersen and Elizabeth Sauer. Afterword by Stephen Orgel. Philadelphia: University of Pennsylvania Press, 2002.
Stallybrass, Peter. “Benjamin Franklin: Printed Corrections and Erasable Writing.” Proceedings of the American Philosophical Society. 150.4 (2006): 533-567.
Stallybrass, Peter, and Roger Chartier. "Reading and Authorship: The Circulation of Shakespeare 1590-1619." In A Concise Companion to Shakespeare and the Text, edited by Andrew Murphy, 35-56. Oxford: Blackwell, 2007.
Stallybrass, Peter. "The Book as Computer." Lecture for the Digital Humanities Speaker's Series Future Knowledge: Prospects for a Digital Era, University of South Carolina, April 17, 2009. Available at https://sc.edu/about/centers/digital_humanities/future_knowledge_archive/stallybrass_videopage.php.
Stoddard, Sheena. Bristol Before the Camera: The City in 1820–30. Bristol: Redcliffe, 2001.
Stoicheff, Peter, and Andrew Taylor, ed. The Future of the Page. Toronto: University of Toronto Press, 2004.
Stooks Smith, Henry. The Parliaments of England. 2nd ed. F.W.S. Craig, ed. Chichester: Parliamentary Research Services, 1973.
Syme, Holger. "How to Read a Play." Panel Session: "Unbound: Shakespeare's Theater Between Book and Performance." Shakespeare Association of America 41st annual meeting, March 2013, Toronto.
Szirmai, J.A. "The Girdle Book of the Museum Meermanno-Westreenianum." Quaerendo 18 (1988): 17-34.
Szirmai, J.A. The Archaeology of Medieval Bookbinding. Aldershot, Hants UK: Ashgate, 1999.
Tanselle, G. Thomas. “The Concept of the ‘Ideal Copy’.” Studies in Bibliography 33 (1980): 18-53.
Tarrant, Richard. Texts, Editors, and Readers: Methods and Problems in Latin Textual Criticism. Cambridge: Cambridge University Press, 2016.
Tasman, Paul. "Literary Data Processing." IBM Journal of Research and Development 1, no. 3 (1956): 249-256.
Taylor, Gary. “The Shrinking Compositor A of the Shakespeare First Folio,” Studies in Bibliography 34 (1981): 96-117.
"P5: Guidelines for Electronic Text Encoding and Interchange." TEI: Text Encoding Initiative. http://www.tei-c.org/release/doc/tei-p5-doc/en/html/index.html
Thomas Gray Archive. (http://www.thomasgray.org/)
Timperley, C. H. A Dictionary of Printers and Printing: with the Progress of Literature, Ancient and Modern Bibliographical Illustrations etc. London: 1839.
Tory, Geofroy. Champ Fleury. Paris, 1529. Translated into English and annotated by George B. Ives. New York, NY: The Grolier Club, 1927.
Traube, Ludwig. “Geschichte des Paläographie.” Vorlesungen und Abhandlungen. Munich: C. H. Beck, 1909. 13-30.
A Treatise of Stops, Points, or Pauses. London: n.p., 1680.
Tredwell, Daniel M. A Monograph on Privately-Illustrated Books. A Plea for Bibliomania. Lincoln Road, Flatbush, Long Island: Privately Printed, 1892.
Tribble, Evelyn B. Margins and Marginality. Charlottesville: University Press of Virginia, 1993.
Tribble, Evelyn B. "'Like a Looking-Glas in the Frame': From the Marginal Note to the Footnote." In The Margins of the Text, edited by D. C. Greetham, 229-44. Ann Arbor: University of Michigan Press, 1997.
Tschichold, Jan. The Form of the Book: Essays on the Morality of Good Design. Translated by Hajo Hadeler, edited by Robert Bringhurst. Vancouver: Hartley & Marks, 1991.
Twyman, Michael. Breaking the Mould: The First Hundred Years of Lithography. London: British Library, 2001.
Vandendorpe, Christian. "Reading on Screen: The New Media Sphere." In The Blackwell Companion to Digital Literary Studies. Ray Siemens and Susan Schreibman, eds. Oxford: Blackwell Publishing, 2007. 203-15.
Vandendorpe, Christian. From Papyrus to Hypertext. Toward the Universal Digital Library. Urbana and Chicago: University of Illinois Press, 2009.
Vandendorpe, Christian. "The fate of the novel in an era of ergative reading." In Lire demain: des manuscrits antiques a l'ere digitale. Claire Clivaz, Jerome Meizoz, Francois Vallotton, Joseph Verheyden and Benjamin Bertho, eds. Lausanne: Presses Polytechniques et Universitaires Romandes, 2012. 73-88.
Vander Meulen, David. Pope's Dunciad of 1728: A History and Facsimile. Charlottesville and London: University Press of Virginia, 1991.
Vasquez, Karelia. "La memoria del lector." El Pais semanal no 1860 (20 May 2012). Accessed May 25, 2013, at http://cultura.elpais.com/cultura/2012/05/17/actualidad/1337267542_314625.html
Verkerk, Dorothy. Early Medieval Bible Illumination and the Ashburnham Pentateuch. Cambridge, UK: Cambridge University Press, 2004.
Vermuele, Blakey. "Abstraction, Reference, and the Dualism of Pope's 'Dunciad'." Modern Philology, 96.1 (1998): 16-41.
Vinaver, Eugene. “Principles of Textual Emendation.” Studies in French Language and Literature Presented to Professor Mildred K. Pope. Manchester: Manchester University Press, 1939.
Vincent, Augustine. A Discovery of Errors in the first Edition of the Catalogue of Nobility. London, 1622.
Visconti, Amanda. "'I Must Create a System: Hacking the Book from Blake to the Blake Archive." May 2012. http://digitalliterature.net/bookhacking.
Voigts, Linda Ehrsam. "A Fragment of an Anglo-Saxon Liturgical Manuscript at the University of Missouri." Anglo-Saxon England, 17(1988): 83-92.
Waghenaer, Lucas Jansz. The Mariner's Mirrour: London, 1588. Amsterdam: Theatrum Orbis Terrarum, 1966.
Wakelin, Daniel. Scribal Correction and Literary Craft: Early Manuscripts 1375–1510 Cambridge: Cambridge University Press, 2014.
Wark, Robert R. "The Gentle Pastime of Extra-Illustrating Books." The Huntington Library Quarterly, LVI.2 (1993): 151-165.
Warner, Lawrence. The Myth of Piers Plowman: Constructing a Medieval Literary Archive. Cambridge: Cambridge University Press, 2014.
Weaver, Warren. "The Mathematics of Communication." Scientific American, 181.1 (July, 1949): 11-15.
Weijers, O. "les index au moyen age sont-ils un genre litteraire?" In Fabula in Tabula: Una Storia Degli Indici dal Manoscritto al Testo Elettronico: Atti del Convegno di Studio della Fondazione Ezio Franceschini e della Fondazione Ibm Italia: Certosa del Galluzzo, 21-22 Ottobre 1994, 11-22. Spoleto and Firenze: Centro Italiano Di Studi Sull'alto Medioevo / Fondazione Ezio Franceschini, 1995.
Weinberg, Bella Haas. "Predecessors of Scientific Indexing Structures in the Domain of Religion." In The History and Heritage of Scientific and Technological Information Systems, edited by W. Boyd Rayward and Mary Ellen Bowden, 126-135. Philadelphia, PA: Chemical Heritage Foundation, 2002.
Wells, L.H. "Note on a Historiated Initial Letter in the Fabrica of Vesalius." Medical History, 6 (1962): 287-288.
Wendorf, Richard. The Scholar-Librarian: Books, Libraries and the Visual Arts. Newcastle, DE: The Boston Athenaeum & Oak Knoll Press, 2005.
Werner, Sarah. “Errors.” The Collation: A Gathering of Scholarship from the Folger Shakespeare Library. http://collation.folger.edu/tag/errors/ Accessed 4 June 2015.
Werstine, Paul. Cases and Compositors in the Shakespeare First Folio Comedies. Charlottesville, VA: U of Virginia Bibliographical Society, 1982.
Werstine, Paul.,"Past is prologue: Electronic New Variorum Shakespeares," Shakespeare 4:3 (2008): 224-236.
Werstine, Paul. "Past is prologue: Electronic New Variorum Shakespeares" Shakespeare 4 no. 3 (2008): 224-236.
Werstine, Paul. Early Modern Playhouse Manuscripts and the Editing of Shakespeare. Cambridge: Cambridge University Press, 2013.
Wikander, Matthew H. "'Queasy to be touched': The World of Ben Jonson's Sejanus." Journal of English and Germanic Philology 78 (1979): 345-57.
"Watchmen (Structure Section)" Wikipedia. Last modified May 4, 2012. http://en.wikipedia.org/wiki/Watchmen#Structure.
Wikipedia. "Leet." Accessed April 25, 2011. http://en.wikipedia.org/wiki/Leet.
Wilkin, Rebecca M. "Figuring the Dead Descartes: Claude Clerselier's Homme De Rene Descartes (1664)." Representations 83.1 (2003): 38-66.
William Shakespeare Digital Collection, University of Miami
Winter, Thomas Nelson, "Roberto Busa, S.J., and the Invention of the Machine-Generated Concordance." Faculty Publications, Classics and Religious Studies Department, 1999. Paper 70. Republished from The Classical Bulletin 75, no. 1 (1999): 3-20. digitalcommons.unl.edu/classicsfacpub/70/
Wired. 19.04 (April 2011).
Wiseman, D. J. "Books in the Ancient Near East and in the Old Testament." In The Cambridge History of the Bible. Volume 1, From the Beginnings to Jerome. Edited by P. R. Ackroyd and C. F. Evans. Cambridge: Cambridge University Press, 1970.
Wood, E. R. “Cancels and Corrections in A Discovery of Errors, 1622.” The Library 5.2 (1958): 125-7.
Yagoda, Ben. "The Rise of 'Logical Punctuation'." Slate. May 12, 2011. http://www.slate.com/articles/life/the_good_word/2011/05/the_rise_of_logical_punctuation.single.html.
Yates, Julian. Error, Misuse, Failure: Object Lessons from the English Renaissance. Minneapolis: University of Minnesota Press, 2003.
Zali, Anne. L'aventure des ecritures: la page. Paris: Bibliotheque nationale de France, 1999.
Zedong, Mao. Mao Tse-tung chi. Edited by Minoru Takeuchi. 10 vols. Supplements: Mao Tse-tung chi pu chuan. 1970-1972 and 1983-1985.
Zetzel, J. E. G. “The Subscriptions in the Manuscripts of Livy and Fronto and The Meaning of Emendatio.” Classical Philology 75 (1980): 38-59.
Zetzel, J. E. G. Latin Textual Criticism. Salem, NH: Ayer, 1984.
Zetzel, J. E. G. “Religion, Rhetoric, and Editorial Technique: Reconstructing the Classics.” Palimpsest: Editorial Theory in the Humanities. Eds. George Bornstein and Ralph G. Williams. Ann Arbor: University of Michigan Press, 1993. 99-120.