The Digital Ark: Early Modern Collections of Curiosities in England and Scotland, 1580-1700

[ Previous ][ Next ]

David [biblical figure], King of Israel (c. 1085 BC - c. 1015 BC)

Composer of the Psalms, slayer of Goliath, and the king who won independence for the nation of Israel and received the Ark of the Covenant at Jerusalem, David is considered a major prophet in the Jewish, Christian and Islamic traditions. Dictionary of National Biography entry: http://www.newadvent.org/cathen/04642b.htm Other biography: http://en.wikipedia.org/wiki/David Relationships: David [biblical figure] was a associate or acquaintance (general) of Goliath of Geth [biblical figure] (-)

Bathsheba ([?]-[?]) was a wife of David [biblical figure]
Saul (King) [Biblical figure] (-11th century BCE) was a associate or acquaintance (general) of David [biblical figure]
Solomon [biblical figure] (-c. 931 BC) was a son of David [biblical figure]
References in Documents:
Consolidated catalogue of 1695: The Book of the Vice-Chancellor (MacGregor, ed.) 182 1029 Numisma impressum Davidis e Goliæ figuris cum hac inscriptione. Tu solus Deus et magna facis. in reverso Leone et Apro pugnantibus, cum ista. Fide Dño, et ipse efficiet. Ar. Medal impressed with the figures of David and Goliath; on the reverse a lion and a boar fighting.
Consolidated catalogue of 1695: The Book of the Vice-Chancellor (MacGregor, ed.) 386 Numisma signat. figura Loti vinum bibentis cum filiabus suis, in obverso, et figura Davidis Bathschebam sc. lavantem, de tecto domus suæ conspicientis, in Reverso. Ar. deaurat. Coin struck on the obverse with Lot drinking wine with his daughters; on the reverse, the figure of David watching Bathsheba washing herself, from a part of his house; silver gilt.
Consolidated catalogue of 1695: The Book of the Vice-Chancellor (MacGregor, ed.) 387 1003 Numisma impressum figura Davidis cum Schaule disserentis de exitu suo in Goliatum Pelischthæũ, in obverso; et figura Angeli Gabrielis B. Mariã Virginem salutantis, in Reverso. Ar. deaurat. Coin, impressed on the obverse with the figure of David speaking with Saul about his leaving to meet the Philistine Goliath; on the reverse the angel Gabriel greeting the Blessed Virgin Mary; silver gilt.
MS Book of the dean of Christ Church (MacGregor, ed.) 444 Instrumentum argenteum quo perstringit præputium, characteribus Hebræis inscriptum, id innuentibus. David Aben Attar, his end be good. fract. Silver instrument with which the foreskin is removed with an inscription in Hebrew letters meaning 'David Aben Attar, his end be good'. Broken.
Bargrave's catalogue: Rara, Antiqua, et Numismata Bargraviana (Canterbury Cathedral Lit MS E 16a)

(22). Ten miles, almost, round about Rome, under the vineyards and cornfields, are hollow caves, streets, rooms, chappells, finely paynted, &., which is called Rome underground, or the Catacombe, wherein to the poor Christians in the times of persecution fledd to hide themselves, to perform the Christian duties of preaching and prayer and sacraments. And some of these underground streets were for their burials, -- not on the flat, as we bury on the ground, but the corps were at their lenght length immuralld in theca's, or, as it were, in hollow shelves dug into the wall on both sides; and it is a horrid place to go to, and dangerous, for fear of damps, for which we had little bottles of essences and spirits to put to our noses, and tynder purses (as the mode is), with flint, steel, and match, to lighten our torches and candles when they went out. My curiosity held me there about 3 hours at one time in one of these cymeteries; I going down a pair of stayre, and so walked some streets in Rome underground, a second story deep, until we came to water, which made us return. But the best and freest from danger, and easiest to be seen, are those at St. Agnese, out of the Porta St. Agnese, where in half an hour I came to a street that I could tell 10 stories of corps high; and so all along, about 30 or 40 in lenght length. I and other gentlemen with me observed that, though there were divers epitaphs and writings, with Ρo, Χto, Ρo, Xo, with a turtle dove and an olive branch in its beack, and a palm branch, with Poo, yet, I taking all along on the one side, and my companions on the other, we could meete with never an Orate pro anima -- praying for the souls of the dead not being then known, in the primitive times, there being no such thing as purgatory then known in the world, -- that being of a later invention, to bring a vast revenue to the Pope or Camera Apostolica.

From this Rome underground I brought a very fair small ancient lamp, and a small bottle with a long neck -- both of them of a very fine red earth; which, by Dr. Plott, I sent as a present to the cabinet of Oxford Library. One other earthen lamp, and a glass bottle with such a long neck, and a broken one in two pieces, I have in my cabinet. These bottles are called lachrymatorij, or tear-bottles, because the friends and relations of the defunct were in ancient time accustomed at the funeral to carry each of them a lachrymatorio in his hand, to save his tears that he shed for his deceased friend, and then leave those bottles behind them with the immuralld corps. David seemeth to have allusion to this ancient custom when he saith, Psalm 56, 8, "Thou hast put my tears into thy bottle."

Inventarie of the Gabions, in M. George his Cabinet (1638) Hence of Saint Iohnstoun riband came the word In such a frequent use, when with a cord They threaten rogues; though now all in contempt It speak, yet brave and resolute attempt, And full of courage, worthie imitation, Deserving of all ages commendation Made these men put it on, symbole to be, They readie were for Christ to do or die. For they were Martyrs all in their affection And like to Davids Worthies in their action; Therefore this cord should have beene made a badge And signe of honour to the after age. Even as we see things in themselves despised, By such rare accidents are highlie prised, And in brave skutsheons honourablie born, With mottoes rare these symbols to adorn.
Thoresby, Musaeum Thoresbyanum (1713) A third (sent me by Robert Plompton, of Plompton, Esq;) hath the Area fill'd with Planetary Characters, and this Inscription round, In Deo confido, revertentur Inimici mei retrorsum: Upon the other Side are Jupiter and Venus embracing each other, inscribed, A pavore inimici Custodi vitam meam oh tu Jehova, with ♃ and ♀ in Conjunction in ♓. The Effects formerly attributed to these Figures were altogether miraculous; the Spark, for whom this was erected, expected, by Virtue thereof, to obtain both Honour and Beauty; that with Mercury was for Success in Merchandizing and Gaming. These are engraved upon Silver; those used of old for the Preservation of Cities were Statuary Telesms made under a certain Configuration of the Heavens, the most propitious that could be for the Time and Place. The Blind and the Lame hated by David's Soul, 2 Sam. 5. 8. are by some Learned Interpreters taken for these Images. And the brazen-Serpent, which Moses (the Talisman, as those who write in Defence of the Practice, affect to call him) made in the Wilderness is said to be the first Occasion, not given, but taken, of all these Telesmatical Practices, (Gregory's Notes upon the Scripture, p. 41.)
Thoresby, Musaeum Thoresbyanum (1713) The Psalms of K. David, translated by K. James 1636. Fol. London, with the Tunes.
Thoresby, Musaeum Thoresbyanum (1713) The Psalms of David in four Languages, and in four Parts, set to the Tunes of our Church, by Will. Slatyer 1643, in 12°. The Hebrew, Greek, Latin and English Metres, are curiously engraved upon Copper-Plates. This first Portion, or Nocturne, consists of 22 Psalms, but, I presume, no more were engraved; and this is so rare, that the Oxford Historian's Silence as to the Year of its Impression (wherein he is commendably critical) implies he had never seen one.
Thoresby, Musaeum Thoresbyanum (1713) I have also in Manuscript, the Psalms of David, the Song of Solomon, and other Parts of Scripture done into Verse, by Tho. Lord Fairfax (the General) with a Poem on Solitude.
Thoresby, Musaeum Thoresbyanum (1713) The Psalms of David in Metre, &c. more plain, smooth and agreeable to the Text than any heretofore; Allowed by the Authority of the General Assembly of the Kirk of Scotland, and appointed to be sung in Congregations and Families
Thoresby, Musaeum Thoresbyanum (1713) Les Pseaumes de David mis en rime Francoise, par Clement Marot & Theod. de Beze
Thoresby, Musaeum Thoresbyanum (1713) The Psalms of David in Metre
Musaeum Tradescantianum (1656) The figure of a Man singing, and a Woman playing on the Lute, in 4° paper; The shadow of the worke being David's Psalmes in Dutch.
Musaeum Tradescantianum (1656) {David & Bathsheba.}