The Digital Ark: Early Modern Collections of Curiosities in England and Scotland, 1580-1700

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High Dutch turner ( - )

Unidentified creator of a wooden model of the human eye acquired by Bargrave in Venice Relevant locations: Workplace or place of business Venice, Veneto
Relationships: High Dutch turner was a source of object(s) for John Bargrave (1610-1680)

References in Documents:
Bargrave's catalogue: Rara, Antiqua, et Numismata Bargraviana (Canterbury Cathedral Lit MS E 16a)

(34). A very artificial anatomy of a human eye, with all its films or tunicles, by way of turnery in ivory and horn; together with the optick nerve which runneth into the brain, from which nerve the eye receiveth all its several motions. This excellent piece of art hath, when it is opened, fourteen pieces in it; but are, indeed, but a little more parcels in themselves than half so many. When you take them in sunder, the best way to keep them in order is to lay them all in a row, and then you shall find that the first piece and the last are in nature but one tunicle, and by art two, if you join them together; each half (but one) hath its correspondent—the corneus with the corneus, the two black ones likewise the same, and so the rest. The little apple of it also is included in two half tunicles. The usual way of anatomizing an eye, longways, by turning the films flat over one another, could not be so visibly imitated by art; but this, or roundway, was the invention of the College of Physicians at Padoüa, where an artist of High Germany imployed his skill in turning according to these doctors’ orders, and at length produced this excellent piece of art—this anatomy of the human eye. I have one also of an oxes eye, but that is very rude, gross, and not exact. I bought this eye at Venice of a High Dutch turner, and, for the proof of it, I went a double share in two anatomies, of a man’s body and a woman’s, chiefly for this eye’s sake, and it was found to be exact.