SInceSince my former, having procured an old Roman Sheild, of a different form from that I had before, and observing them both to be of different Materials from the usual Descriptions of them (which I also apprehend to be in other parts de (206) fective) I resolved to make a more particular Inspection into their Texture, and whereas they are generally said to be è ligno, corio superinducto, upon a strict Survey, there is nothing of Wood, but the Handle, in either of them. The Ancient Romans I observe had Three Words, Scutum, Parma, & Clypeus, for that defensive Weapon we generally English a Sheild, which notwithstanding their different Forms or Matter, their Authors (especially in the Declension of the Empire) frequently confound, as, if I mistake not, we do Sheild, Buckler, and Target. The Scutum, & Clypeus, in Form, quæ enim rotunda, & in orbem justum relata, Clypeos dixere, (and of this sort are those votive Sheilds upon the Colums or Trunk of Palm Trees. inscribed, VIC. AVG. or DAC. PAR. &c. In their old Coins) quæ in longum exibant, Scuta, both the Scutum and Parma, are by very good Authors, as well more ancient as modern, positively said to be of Wood covered with Leather, and so particularly Mr. Ob. Walker, in his late ingenious Hist. of Coins; but the ensuing Description will evince, that Bernardus ipse non videt omnia. This Sheild or Buckler is of the Parma Kind, and rightly so called, quod è medio in omnes partes sit par, whereas the Scutum was mostly Oval, tho’ sometimes imbricatum, with Corners equally broad, it is Fifteen Inches Diameter, whereof a little more than a third part is taken up with the Umbo; or protuberant Boss at the Navel, which is made of an Iron Convex Plate, wrought hollow on the inside, to receive the Gladiator’s Hand, upon the Center of this is a lesser Boss, wherein there seems to have been fixed, some kind of Cuspis, or sharp offensive Weapon, to be used when they came to fight Hand to Hand, but the Form of this I cannot describe, both the Sheilds being defective in that point; nor can I receive any Light from my Collection of Coins, for tho’ it seem to be the same that Mars Bellator or Gradivus (for Mars Quirinus is not armed or marching) is usually described with, yet the Sheild being carried in the Left-Hand, only the Back Part of it is apparent. From the said Umbo the Sheild is Four Inches and an half broad on each side, in which are 11 circular equidistant Rows of Brass Studs of that Size, that Vide Fig. 9.222 are set in the outmost Circle, which is 4 Foot wanting 3 Inches, (for that is the Circumference of the Buckler) and so proportionably in the lesser Circles to the Center of these 11 Rows of Brazen Studs, the inmost Circle is placed upon the (207) Umbo it self, the next 8 upon as many circular Plates of Iron, each a third of an Inch broad. The two outermost upon one thicker Plate and Inch broad: in the little Intervals between these circular Plates are plainly discovered certain cross Laminæ, that pass on the Back of the other, from the Umbo to the exterior Circle; and these Iron Plates are also about the third part of an Inch at the broader End towards the Circumference, but gradually contracted into a narrower Breadth, that they may be brought into the Compass of the Umbo at the Center. The inner Coat next to those Iron Plates (for I cut it a little open behind, that I might more distinctly discern the Work) is made of very thick hard strong Leather, which cuts bright, somewhat like Parchment. Upon that is a second Cover of the same, and on the outside of this are plaited the Iron Pins that run through the Brass Studs; for the above-mentioned Brass Studs are cast purely for Ornament upon the Heads of the said Iron Pins the sixth part of an Inch long, that none of the Iron appears: this reminds me of Julius Cesar's Policy, who, as Suetonius tells us, countenanced this piece of Pride or Ostentation in his Army, ut Argento & Auro politis Armis ornaret, simul & ad speciem, & quo tenaciores eorum in prælio essent, metu damni. The next Cover to the plaiting of the said Nails (which pass through the circular and cross Iron Plates, and both the Leather Covers) is a pure linnen Cloth, but discoloured, though perhaps not with Age only, but sower Wine and Salt, or some other Liquid wherein it seems to have been steeped. And lastly, upon the said Linnen is the outmost Cover, which is of softer Leather, all which Coats that compose the Sheild, are bound together by two circular Plates of Iron, a thin and narrow one towards the Center, and a thicker and large one, an Inch broad at the Circumference, which is curiously nailed with two rows of very small Tackets, above 400 in Number, the vacant Holes whence some of the Nails are dropt out, are little bigger than to admit the Point of a Pair of small Compasses, both which Rims do likewise fasten the Handle (the only part of Wood) which has also Six other Iron Plates about three or four Inches long, to secure it.

This palace has three courtyards, of which the two first are tolerably large, but with poor old buildings. They are not unlike an ancient Oxford college, although a great deal is made of them in the Délices d' Angleterre, where they say that two kings might well be lodged in these quadrangles. The back courtyard was built by King William III in brick; it is square and not very large, with small buildings. In it are several yews and a fountain. Behind this courtyard is the great garden, semi-circular in form; it is flat and consists entirely of gazons, though there are some elegant statues of metal and alabaster, of which one, representing a gladiatorem, is matchless. They say that it formerly stood in the park in London. To the right of the house is another large garden divided into two parts. In it are the orangeries—that is to say, two large and one smaller one with numbers of handsome plants, among which we saw two flourishing aloes twenty-four years old. They had, indeed, a tolerable quantity of yellow blossoms, but, since they lacked sufficient care and warmth, the stem was barely two ells high. In the smaller garden opposite the water is a small building called the banquetin or summer-house, under which there is a pheasantry. On the left hand of the main building is another section of menageries, consisting entirely of hedges and paths, star-shaped, with several walks meeting at a single point. On both sides are two mazes, one in the form of a circle and the other of a triangle. This was the largest and best. We saw in the garden various wooden rollers made of thick trunks of oak, which are used to roll the lawns when they have been mown. After we had seen enough of the garden we went into the house and first looked at the staircase, so elegantly painted by Vario with all manner of tales from Roman history. The anteroom for the guards was ornamented with arms like that at Windsor. Then we came to several rooms tolerably, though scarce magnificently, furnished, many of them having elegant studies of flowers over the doors. We also observed a special kind of barometer and thermometer in the form of a clock, which are made by TomsonTompion.[*]

Von Uffenbach evidently meant to write Tompion, 1638-1713; see earlier note. Tomson Tompion the London watchmaker worked fifty years later.